"You were dreaming. Doug? Was it about Mars?"
It’s 2084 and bored construction worker Douglas Quaid (Arnold
Schwarzenegger) wakes from yet another dream featuring him and a mysterious
woman on Mars. Quaid is bored and dislikes his surroundings and tries to get
his wife Lori (Sharon Stone) to agree to a holiday on the red planet. She
declines. On his way to work Quaid sees an advert for Rekall, a company that
implants memories for a fee. He visits them and agrees to a two week implanted
holiday on Mars where he’ll also take on the role of a secret agent. While he
is being put to sleep but before the memories can be implanted Quaid has a
violent reaction, claiming that they have blown his cover. He escapes the
facility and after being attacked heads for Mars to uncover who’s trying to
kill him and indeed who he is.
I first saw Total
Recall about twelve years ago and certain things had stuck in my memory but
I couldn’t remember the ending. What I did discover is that my memory of the
film was much better than I now think it is.
I usually try to avoid spoilers but I will say now that the
following review will contain them, so if you haven’t seen the film and/or are
looking forward to the remake then leave the page. Gone? Good. I really enjoyed
the plot and personally believe that all of the action takes place within
Rekall. The fact that this is left to the viewer’s imagination though only
enhances the enjoyment. You can view it as a straight out Who Am I?
Sci-Fi/Action or see it as something a little more complex. Either way you’ll
have fun. There is quite a lot of blood and violence here as with much of
Director Paul Verhoeven’s work. I actually think this is a good thing as far
too many modern films go for the 12A/PG-13 certificate in order to make more
money. I believe the remake is heading for that certificate. I’d love to see
more 18 certificate films hit our screens, at least ones which aren’t from the Saw franchise. For a lot of the film you
aren’t really sure who Arnie is and my opinion actually changed several times.
The pill scene for instance had me change my mind about three times. The
futuristic satire side of the story was also very appealing to me.
One of the highlights was the fantastic special effects. The
film uses a mixture of models, computer graphics and most notably Rob Bottin’s
terrific and freaky animatronics. The film arrived on the cusp of the CGI
revolution and was in fact one of the last Hollywood
blockbusters to use miniatures and puppets before CGI took over. Much like Sunrise and City
Lights which were at the pinnacle of cinema before the advent of sound, Total Recall was at the pinnacle of
special effects before the onset of CGI. The film went on to win an Academy
Award for special effects. The effects are responsible for some of the stand
out moments in the film including Arnie’s no oxygen Mars dream, the Johnny
Cabs, three boob lady and Kuato the mutant. These were all things that I’d
remembered from my first viewing about twelve years ago.
Unfortunately I became a bit bored towards the end when it
became obvious how the plot was going to tie together, although as I said the
ending itself is ambiguous. I was much more interested in the “who am I” stuff
than the “I must save the day” stuff and it was the latter that takes over in
the final act. Other problems include the obvious 80s technology but as I
always say with Sci-Fi, they are of their time. I’m sure someone will be
reviewing The Avengers in twenty
years time saying how old all the technology looks. A film would have to be
pretty special to contain computers which still look futuristic after twenty-two
years. Moving on, some of the acting was a bit flat. Schwarzenegger is a better
actor here than in many of his films but he’s still no De Niro. I thought that
Sharon Stone was quite wooden, as was Rachel Ticotin. Michael Ironside wasn’t
great either but I thought that Ronny Cox and Mel Johnson Jr gave good
performances. This isn’t really an actor’s film though, it is much more about
ideas and spectacle and on those levels it is successful.
6/10
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