This film took me a little bit by surprise. I was expecting
a slapstick affair with Chaplin getting into the sort of trouble that Buster
Keaton did in his film The Haunted House but
this is a much more rounded piece than pretty much anything Chaplin had done
before. Chaplin spends more time off screen than in any of his previous Essanay films and instead of being in front of the camera, fooling around, allows his
characters and story to propel the film along. That isn’t to say that Chaplin
is a side character or not funny. He is still the central character and
produces some great comedic turns.
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As well as Chaplin’s longer time off screen there are other
things that set this apart from his previous Essanay films. The cast is much
larger than usual with around fourteen cast members present here as supposed to
only five or six in most of his 1915 movies. Chaplin’s politics is also clear
to see for anyone who cares to look closely enough. While he doesn’t play his
tramp character, his character is a working class janitor who is shunned by the
middle class employees of the bank. Indeed the idea that he could be with Edna
Purviance’s secretary character is laughed at by the middle class cashier.
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One interesting little side point worth mentioning is that
although Chaplin was left handed (as all the best people are) he is seen
writing here with his right hand. I’m not sure why this would have been but
thought it was something of note.
The Bank is definitely
at the top end of Chaplin’s Essanay efforts and stands out not just for the
comedy but also because of the characters and story. It feels like Chaplin is
slowing down his process and taking his time to develop new ideas, something
that will see his popularity and success continue to rise over the coming
decade.
8/10
Many lefties were broken in school for writing purposes.
ReplyDeleteExcellent reviews of his films. With this one, I'd be interested for you to compare The Bank to his previous attempt at this material at Keystone in "The New Janitor"
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