This Must Be the Place
is a film which frustrated me. In amongst its less appealing aspects are some
great camera work, interesting ideas and flawless deadpan performance from Sean
Penn but this is all stifled by a script which doesn’t know what it wants to be
and despite introducing some heavy topics, doesn’t have anything to say. The
film centres on an aging and bored American Rock Star called Cheyenne (Sean Penn). Cheyenne,
still dressed in his Goth rock attire, shuffles around his Irish Mansion
and into town where he stares aimlessly at supermarket shelves. His lack of
vigour is stark contrast to the joyful expressions of his wife Jane (Frances
McDormand) who occasionally attempts to remove the gloom from her husband’s
life. One day Cheyenne decides he is going to
attempt to reconcile with his estranged father and travels back to New York to see him.
Arriving too late he instead takes it upon himself to go on a road trip and
track down the 90 year old ex-Nazi who persecuted his father in Auschwitz.
Showing posts with label Harry Dean Stanton. Show all posts
Showing posts with label Harry Dean Stanton. Show all posts
Friday, 5 April 2013
Saturday, 26 January 2013
The Last Stand
Arnold Schwarzenegger always promised that he’d be back and
ten years since his last leading role he is, in Kim Ji-woon’s Action movie The Last Stand. For Arnie in front of
the screen, little has changed. He may have lost some bulk in certain areas and
gained some in others but his strengths and weaknesses remain constant. He
remains a compelling screen presence and can still kick ass with the best of
them but his acting hasn’t improved. I had no intention of seeing The Last Stand until I found to my
surprise that its Director was one of my favourites, Kim Ji-woon, the highly
accomplished Korean Director of the Asian-Western The Good, the Bad and the Weird and the grisly I Saw the Devil amongst many others. So, I got up at 8:30am on a
Saturday and with my girlfriend away for the weekend, braved the snow and took
a bus to our local multiplex. It’s safe to say that Schwarzenegger isn’t the
box office draw he once was and there were 329 empty seats in the auditorium.
How do I know that? Because I counted them during a first half which is full of
needless exposition, crummy dialogue and weak characterisation. Things liven up
in the second half but I’d been better off staying in bed.
Wednesday, 23 January 2013
Cool Hand Luke
Nominated for four Oscars and the winner of one, Cool Hand Luke is an anti-establishment
tale of triumph of spirit set in a Florida Prison Camp. Highly decorated but
jaded war veteran Lucas Jackson (Paul Newman) is sent to prison for two years
after drunkenly destroying parking meters. Life inside the camp is tough but
Luke endears himself to his fellow inmates thanks to his ‘never give up’ spirit
and lust for life. Following a couple of failed escape attempts though the
prison guards come down hard on Luke and life inside begins to take its toll.
I’d never heard of this film before a couple of weeks ago when
a friend recommended it and subsequently lent it to me. Grateful as I am, had I
never seen it I don’t think I would have been too bothered. For me Cool Hand Luke is a decent prison movie
but nothing more. I rarely found the conditions or treatment of Luke to be
overly harsh until one scene mid way through and apart from the gruelling work,
life inside the jail didn’t seem that bad. What the movie gets across though is
a spirit of refusal to give up or bow down which not only sits well with the
1960s period in which it was made and set but also continues to work well
today.
Sunday, 9 December 2012
Seven Psychopaths
Director Martin McDonaugh’s difficult second album, Seven Psychopaths is the Irish
Director’s follow up to the 2008 sleeper hit In Bruges. The massively disjointed plot concerns a screenwriter
called Martin (Colin Farrell) and his inability to complete his latest script
which he has titled Seven Psychopaths.
His writing is hampered by a drink problem and his disruptive friend Billy (Sam
Rockwell), a dog kidnapper. One day Billy and his friend Hans (Christopher
Walken) kidnap a dog belonging to gangster Charlie Costello (Woody Harrelson).
Martin’s script begins to take shape as he encounters more and more psychopaths
but the three friends end up on the run while trying to escape the Mob.
I’ve been looking forward to Seven Psychopaths for a long time and when I first saw the trailer
a few months back I instantly watched it again because I loved it so much. It’s
with a heavy heart then that now having seen the film I have to report that
it’s a bit, average. There are some clever ideas in there and some great little
vignettes but on the whole there is far too much going on. Several times I
thought to myself “That would make a good movie” but then it was dropped
instantly. Despite several good performances, some great direction and a few
funny moments I left feeling underwhelmed.
Wednesday, 30 May 2012
Paris, Texas
"You just... disappeared. And now I'm working here. I hear your voice all the time. Every man has your voice"
Four years after going missing Travis Henderson (Harry Dean
Stanton) walks out of the vast South Texas
desert. After collapsing in a saloon a doctor treats him and discovers his
brother’s business card in his wallet. Travis’ brother Walt (Dean Stockwell)
flies to Texas
to meet his brother and has many questions for him. Travis appears to be mute
however and doesn’t eat, sleep or talk for days. When he finally opens his
mouth it is revealed that he remembers little about the last four years. Dean
takes Travis back to his L.A.
home where he and his wife Anne (Aurore Clement) have been looking after Travis’
seven year old son Hunter (Hunter Carson) since Travis’ wife Jane (Nastassja Kinski)
left him with them and disappeared herself. Travis has to try and re-assimilate
himself back into every day life and reconnect with his young son before
setting out to try and find his estranged wife.
In many ways this film reminded me of director Wim Wenders
1976 film Kings of the Road. Both
films take place mostly on the road in quiet, almost desolate places with two
characters who barely know each other. This film is more about the family unit
and loss but is equally as good. The film won the Palme d’Or at Cannes as well as
numerous other prizes and it’s fantastic.
Labels:
1984,
9/10,
Aurore Clement,
Dean Stockwell,
Drama,
Film,
Harry Dean Stanton,
Hunter Carson,
Movie,
Nastassja Kinski,
Paris Texas,
Review,
Wim Wenders
Sunday, 6 May 2012
Alien
"I got you, you son of a bitch!"
With Prometheus just
a couple of weeks away I thought it was about time I filled one of the most
unforgivable gaps in my film history and finally watch Alien. The crew of the Nostromo
are in stasis on a return trip to Earth, carrying a cargo of mineral ore.
They are awakened early by the ship’s computer as it has intercepted a transmission
for a nearby planetoid. Upon investigation, crew member Kane (John Hurt)
discovers what appear to be eggs inside an unidentified ship. A life form
hatches out of one of the eggs and attaches itself to his face. Returning to
the Nostromo the crew try to detach
the creature from Kane’s face but with no success. A short time later the
creature removes itself from Kane and the crew find it dead. While preparing to
go back into stasis for the return to Earth something extraordinary happens
that unleashes an even greater threat to the ship and the crew.
My first thoughts were that the Nostromo reminded me of so much I’ve seen already. It is obvious
how much influence the film has had on subsequent science fiction. The living
quarters reminded me of the film Moon and
in just about every other scene I said to myself “That’s just like Red Dwarf”. Everything about the film’s
design was excellent. The ship felt large and real and the creature design was
incredible. Considering the film is now over thirty years old, the latex or prosthetics
that were used looked really good. Even now. Obviously some aspects of the film
have aged noticeably. The computers for instance look as old as they are. This isn’t
a major problem though as anything older than about five years or without a
touch screen looks aged.
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