The Girl with a Dragon Tattoo

"Why would they remake something when they can just go see the original?" - Niels Arden Oplev

Mikael Blomkvist (Daniel Craig) is a journalist who works for Millennium Magazine in Sweden. He has recently lost a libel case bought against him by a crooked businessman. Retired businessman Henrik Vanger (Christopher Plummer) asks computer hacker Lisbeth Salander (Rooney Mara) to do some background research on Blomkvist before asking the journalist to help him uncover the mystery surrounding his niece’s disappearance in the 1960s. Blomkvist accepts the challenge and begins work on a small island inhabited by many of the Vanger family. Salander, after going through unbelievable hardships is eventually tracked down by Blomkvist and agrees to help him with the case. The two of them attempt to get to the bottom of the mystery but end up uncovering much more.

This is a good film but I have many problems with it. The first and most major problem is that there is no reason for its existence. The novel The Girl with the Dragon Tattoo was made into an excellent feature film (review here) in 2009 and this version brings nothing new to the table except that it is in English for all the stupid/lazy tw*ts who can’t be arsed reading subtitles. I do not see the point in making this film other than to fill the pockets of Hollywood and to further dumb down English speaking audiences. It isn’t even as though the Swedish version is difficult to come by. I spotted it in my local HMV for less that £5 just a few days ago. It. Is. Pointless.

A Night Out

Charlie Chaplin’s second film for Essanay saw him move production to their Californian studios for the first time. Chaplin and Ben Turpin are on a night out and end up getting very drunk. They go to a nice restaurant where they cause trouble for a smartly dressed gentleman. The head waiter arrives and throws the pair out but not before Chaplin has caught sight of the waiter’s girlfriend Edna Purviance. Back at their hotel Chaplin and Turpin bump into Purviance once more and again cause trouble for themselves and get thrown out of their hotel. Onto another hotel and Chaplin alone this time meets Purviance again, but will the waiter get in the way of his affections?

This film is a bit of a mess, though it isn’t easy to say to what extent this is Chaplin’s fault and how much time is to blame. The version I saw seems to have been made up of three or four different copies and as a result it changes from black and white to sepia and back quite often. The editing is also pretty poor, often cutting away in the middle of a gag. The story also makes little sense and Turpin just disappeared altogether half way through the film. Most of the gags are simple door in face or fist in face sort of things which is a shame.

Alien 3

"Don't be afraid. I'm part of the family"

Ripley (Sigourney Weaver) is back in stasis aboard the Sulaco when a fire causes the escape pod to separate from the ship and she crash lands on Fiorina ‘Fury’ 161, a penal colony inhabited only by men. Ripley’s fellow Aliens survivors all die in the crash, leaving her alone and stranded in the prison. Unfortunately for Ripley and the prisoners, an alien face hugger was on board the pod and has also survived the crash.

While I’ve been watching the Alien franchise for the first time over the last few weeks I’ve been told by numerous people that Alien 3 was by far the weakest of the series. So far, I’d have to agree. The film entered production without a completed script and the messiness of the film is some testament to that. It feels as though the film doesn’t know what it wants to be. It is less scary than even Aliens but has a bit more of a dramatic quality than Alien. The film also appears to introduce a comic element to the series but this fails miserably. The story feels incoherent and the characters are barely written. In both previous instalments the large cast always felt well written and as though they were rounded characters. In Alien 3 the majority of them appear to be just cannon fodder. The only new character that I cared a little about was killed off within the first half.  

His New Job

Chaplin’s first Essanay Picture was released in February 1915. Chaplin is at a film studio looking for a job. After several bits of humorous business he is hired as an extra but after being a nuisance on set is instead demoted to Carpenter’s Assistant. Through a mixture of wit and luck, Chaplin regains his position in front of the camera and ends up accidentally wearing the lead actor’s costume. All hell breaks loose when he arrives on set to find Chaplin in his clothes and Chaplin again uses a mixture of wit, luck and this time also violence to continue in his job and get revenge on several characters who had wronged him.

The film marks not only Chaplin’s first film with Essanay but also his first with fellow comic actor Ben Turpin. The two share a couple of great scenes together, the first of which involves a fight to get through a door and is excellent. It’s such a shame that the two actors couldn’t find a way to work together because on screen at least, they made a great partnership. Unfortunately a mixture of Turpin’s impatience with Chaplin’s methodical methods and Chaplin’s jealousy of Turpin’s ability to get laughs, their partnership went no further. 

Charlie Chaplin - The Essanay Films

Just a year after his screen debut and after he had earned his chops with Keystone, Charlie Chaplin had become one of the biggest stars in the new medium of film. After appearing in 36 films for Keystone, Chaplin moved on to the Essanay Film Company having received an offer of $1,250 a week and a promise that he could write and direct all of his own films.

Essanay had been formed in Chicago in 1907 by George K Spoor and Gilbert M Anderson who took their surname initials of S and A to form the name Essanay. Anderson was himself an actor and director and became famous under the pseudonym Broncho Billy. He also had a role in the first ever Western, the now highly regarded The Great Train Robbery. In search of better shooting locations for his Westerns, Anderson travelled with a small crew to California where he eventually set up a studio in Niles, CA. Chaplin shot his first Essanay picture at the Chicago studio but being unimpressed with the conditions subsequently produced the rest of his films at the Niles studio.

In total Chaplin made 14 films for Essanay between February 1915 and May 1916. Although today these films are not generally considered to be amongst his best, they were produced at a time when Chaplin went from being a star to the world’s first movie super star and show the development of his craft. They also introduced Chaplin to Edna Purviance who over a span of eight years appeared in more than thirty of his films. Chaplin’s Essanay films were more coherent and less frenetic than his Keystone pictures and featured greater character development. Not everything was well inside Essanay though. Chaplin had a fraught relationship with fellow Essanay star Ben Turpin and despite working well together on screen; Turpin appeared in only a couple of Chaplin’s films. When Chaplin left the company in 1916 it caused a rift between the two founders and the company eventually collapsed in 1920.

I will be watching each of Chaplin’s Essanay films in order and writing a brief summary and critique which I’ll link to below. Also, The Charlie Chaplin Film Club have also very kindly compiled my reviews here.

1. His New Job  3/5
2. A Night Out 2/5
3. The Champion 4/5
4. In the Park 3/5
5. A Jitney Elopement 4/5
6. The Tramp 4/5
7. By the Sea 2/5
8. Work 2/5
9. A Woman 2/5
10. The Bank 5/5
11. Shanghaied 2/5
12. His Regeneration 2/5
13. A Night in the Show 4/5
14. Burlesque on Carmen 4/5
15. Police 3/5
16. Triple Trouble 1/5

The Expendables

"First of all, I don't feel comfortable talking business with a giant carrying a shotgun"

The Expendables are a group of mercenaries led by Barney Ross (Sylvester Stallone) who are sent by CIA Operative ‘Church’ (Bruce Willis) to overthrow a Latin American Dictator, General Garza (David Zayas) who is in reality a puppet of ex-CIA man James Munroe (Eric Roberts). Joining Ross on the mission is ex SAS man Lee Christmas (Jason Statham), Martial Art expert Yin Yang (Jet Li), sniper Jensen (Dolph Lundgren), weapons specialist Caesar (Terry Crews) and demolitions expert Toll Road (Randy Couture). The team may be a little long in the tooth but they still pack a punch and the fate of a country is in their hands.

I’ve been watching a lot of 80s films recently so it’s quite apt that I’ve watched this which although made in 2010, is well and truly grounded in the 1980s. Most of its stars made their names in the action movies of the period and they are joined by the action heroes of today. It’s an impressive action movie cast, a bit like a corny version of The Avengers only with fewer superpowers and more muscle.

The Raid

"Pulling a trigger is like ordering a takeout"

The Raid/ The Raid: Redemption/ Serbuan maut - Deep inside one of Jakarta’s slums lays an apartment block that is the base of one of Indonesia’s most wanted gangsters, Tama Riyadi (Donny Alamsyah). After being a no go area for the Police for years, they plan a raid to take the gangsters out. Early one morning a 20 man SWAT team descend on the building with the aim of clearing it out once and for all. Amongst the team is rookie cop Rama (Iko Uwais) who has left his heavily pregnant wife at home that morning, possibly for the last time. The SWAT team slowly make their way through the building, taking prisoners as they go before they get to the 6^th floor where they are discovered. Soon an army of drug dealers, criminals and gangsters is on top of the small team of Police and what began as a mission to clear the building turns into a battle for survival and escape.

Id’ been looking forward to this film for months, having heard great things from the countries in which it has already been released. I’d heard rumours that it was the best Action film in a long time and having now seen it I have to agree that it probably is. The action is frenetic and features five or six scenes which are equal to the Oldboy corridor scene. That is enough on its own to make a great film but there is also a fairly engaging story of deceit, courage and duty. The story takes a back seat for a lot of the film but there are some nice twists in there. What this film is really about is hitting people, repeatedly and in ever differing ways. Director Gareth Evans cleverly balances the action with several short rest bites in which the audience can regain their breath before throwing another superb fight scene at them.

Aliens

"Get away from her, you bitch!"

After surviving the onslaught of Alien, Ripley (Sigourney Weaver) has spent 57 years in stasis, floating aimlessly through space. By chance she is picked up by a salvaging vessel and woken up from her deep sleep. Upon telling her story to the Weyland-Yutani Corporation she is met with scepticism and is reduced to working in a loading dock. Later she is visited by Burke (Paul Reiser) who informs her that Weyland Co has lost contact with colonists on LV-426 and he requests that she returns to the planet with a group of Colonial Marines to discover the fate of the colonists. Ripley reluctantly agrees and joins the expedition only to discover that the aliens have struck again, only this time on a much greater scale.

Unlike Alien which was a sci-fi/horror, Aliens is more of an action-adventure in the mould of director James Cameron’s recent super hit Terminator and reminded me a little of Predator. In the end the slight genre change had little effect on the final product as the film is in my view very close to as good as the original. The sets look incredible and realistic. I’m a big fan of a well designed and dressed set and those in Aliens are superb. The sets of 80s science fiction movies always look more impressive to me than those of today because you get the feeling that the actors are really there, interacting with their environment as supposed to being stood in front of a green screen and stepping over green boxes. The ships, vehicles, planet and colonist’s HQ all look great. The design of the guns is also very good. They remain grounded in reality but with a slight futuristic edge to them. The effects are a mixed bag with some looking as good as anything today but others looking noticeably aged.

The Ides of March

"All the reporters love you. Even the reporters that hate you still love you"

The Ides of March is a political thriller set during the Democratic Primary in Ohio in which Governor Mike Morris (George Clooney) is running for the Party’s nomination for President. His team includes Campaign Manager Paul Zara (Philip Seymour Hoffman) and young up and comer Stephen Myers (Ryan Gosling). Myers is convinced that Morris is the man to lead the country but receives a tempting job offer from rival Campaign Manager Tom Duffy (Paul Giamatti) which opens up a torrent of problems for all involved.

The film is full of twists, turns and surprises and kept me glued throughout its fairly short 101 minutes. Clooney’s Morris felt like a Candidate too good to be true to me, being pro choice, atheist, pro alternative energy and with plans for free college education. He was a candidate with the sort of policies that appealed to me. To be honest, knowing what I do of American Politics, his platform felt a little unrealistic but I’d vote for him. As well as a candidate I was on board with, the film kept my interest up as I never knew which direction it would turn next. It felt like a good episode of The West Wing crossed with a crime mystery.

The Dictator

Admiral General Aladeen (Sasha Baron Cohen) is the dictator of the fictitious North African Republic of Wadiya. After his attempts to build nuclear weapons are announced he is summoned to the UN to explain his and his country’s plans. While in New York he is betrayed and an attempt is made on his life. After escaping he discovers that he has been replaced with a double and finds himself working in a vegan, shared earth coop where he becomes friends with Zoey (Anna Farris). Aladeen uses the coop to try to regain his identity and his grip on power in Wadiya.

For his 4^th feature, Baron Cohen has moved away from the mocumentary style for which he has become synonymous and The Dictator is mostly played as a straight forward comedy feature. The character of Aladeen is based on a hodgepodge of various real life dictators and draws from the West’s perceptions of them and their countries. The result is that Aladeen is a racist, sexist, cartoon who while being occasionally funny, generally fails to impress. The humour of the film on the whole failed to resonate with me and the majority of the audience I saw it with, indeed a man on the row in front of me walked out about an hour in having not laughed once.