Saturday, 25 August 2012

Brave


A young Scottish Princess called Merida (Kelly Macdonald) spends her days fighting against the rules set by her mother Queen Elinor (Emma Thompson) and wishes to be more of a free spirit, able to ride her horse, eat and wear what she wants and most importantly practise her archery skills. A trip to a Witch adds a further twist to the mother daughter relationship and puts both their lives at risk.

Despite being a huge Pixar fan I went into Brave with a small sense of dread. I expected, and as it turned out I was right, that this would be Pixar’s most Disney-like feature to date and that’s something that disappoints me. We already have Disney to bring us fairytales of Princesses and suitors but there are very few studios who are brave enough or mad enough to come up with the likes of Toy Story, Wall-E or Up. For me there was little to distinguish Brave from a modern Disney film along the same lines as Tangled. Despite this, Brave is still a fun film with a lot to like.

Big Miracle


Based on a true story, Big Miracle is about the efforts in 1988 to save three Grey Whales from drowning in frozen seas of Point Barrow, Alaska, one of the most northerly inhabited settlements on Earth. Anchorage based reporter Adam Carlson (John Krasinski) is reporting from Barrow when he spots a small gap in sea ice through which three whales are struggling to breathe. Once his story gets national coverage, thousands of reporters, National Guard and Greenpeace activists including Rachel Kramer (Drew Barrymore) descend on Barrow to cover the story and help set the whales free.  

Although billed as a family film, for me this feels like the next generation disaster movie. We’ve already seen a shift from the terrorist style movies of the 90s towards the 2012 environmental type movies and this feels like the next step. Throughout the film I was constantly reminded of Deep Impact and Independence Day. There are several intertwining stories with overlapping characters, families watching the proceedings on TV, reporters from all over the world lined up in that tracking shot which you always get, enemies coming together, several love stories, tragedy to open the third act and surprising international cooperation saving the day. If you substituted the whales for a meteor or alien invasion then you have the exact same disaster film which everyone has seen before.

Friday, 24 August 2012

The Imposter


In 1994 a thirteen year old Texan boy called Nicholas Barclay disappeared from San Antonio. Three years later his family received a call from a Spanish official, claiming that Nicholas had been abducted by a sex slave ring but was now with him in Spain. Despite Nicholas leaving as a thirteen year old with almost Aryan colouring and returning tanned with dark hair and eyes along with a foreign accent, the family accepted the boy who returned as their son. This documentary tells the story of Nicholas’ disappearance and the extraordinary events in 1997 when it seemed that he had returned.

The documentary is created using a mixture of talking heads; achieve home videos and convincing reconstructions which are themselves combined with the talking heads. Almost all of the major players in the story take part which is a little surprising as by the end hardly anyone comes out with any sort of credibility.

I went into this film knowing the story having read about it recently in a magazine. I knew very little about the film however and wasn’t actually sure if it was a documentary or drama. The film plays its cards very early and it isn’t exactly a spoiler, especially given the title, to tell you that the person who returns home in 1997 is not Nicholas Barclay. The real interest for the first half of the film at least, is how on earth this man managed to convince Spanish officials, the American Embassy and most incredibly the family of the missing boy that he was Nicholas. It’s almost too unreal to be true. Without giving too much away, the man who claims to be the boy is of French-Algerian descent and several years older than Barclay. He looks nothing like the boy.

Wednesday, 22 August 2012

OSS 117: Lost in Rio


OSS 117: Lost in Rio is the sequel to one of the funniest films I’ve ever seen, OSS 117: Cairo, Nest of Spies and is bought to us by the team behind that film and The Artist, Oscar Winners Michel Hazanavicius and Jean Dujardin. A James Bond pastiche, Dujardin stars as OSS 177, France’s top secret agent. It’s 1967 and he is on a mission to capture a microfilm containing the names of French Nazi collaborators from an ex-Nazi now residing in Brazil. He is joined by a beautiful Israeli Army Officer, Delores Koulechov (Louise Monot) who is tasked with bringing the Nazi back to Israel to face a war crimes tribunal. 117 bumbles his way through Brazil with the help of his Israeli colleague, attracting the interest of various women and the CIA along the way.

I was really excited to see this sequel as Cairo, Nest of Spies is one of the best comedies I’ve seen in the last year. I’d previously read that the sequel wasn’t as well received in France as the original and I’d have to agree with that assessment. It is in no way as good as Cairo, Nest of Spies but is still an enjoyable hour and a half.


The Vow


Around four minutes into The Vow I looked down at the notes I was making and they read “Why sex in the middle of the road?” “How did he get her permit?” “He looks like a potato”. I was tempted to just make that my review but I will go on.

Paige Collins (Rachel McAdams) and her husband Leo (Channing Tatum) are driving back from the movies when she decides to initiate sex at a set of traffic lights. Most people would perhaps wait until they were home or maybe nip down an alley but Paige goes for it in the middle of a snow covered street. After taking her seatbelt off the car is rear ended by a truck which sends Paige through the windshield in ultra slow motion. Once Paige wakes up in hospital with the smallest scars imaginable, we discover that she has short term memory loss and has forgotten her entire life with Leo. He looks like a confused Mr Potato head and runs away but decides to come back and try to get her to remember their life together (without using any photos, videos, texts or facebook updates etc). His quest is complicated with the introduction of Paige’s stuffy parents (Jessica Lange & Sam Neill) who want their daughter back.

Tuesday, 21 August 2012

Gone

Gone is a sometimes tense but often boring psychological thriller from Brazilian Director Heitor Dhalia, working in the English language for the first time. Amanda Seyfried stars as Jill, a young woman living with her recovering alcoholic sister Molly (Emily Wickersham) after an alleged attack on her the previous year. The police dismissed her abduction and attack claims after finding no evidence and Jill was eventually admitted to a mental institute. Back in the present, Jill returns home one morning, after a nightshift as a waitress to find that her sister has disappeared. With little help from the police Jill takes it upon herself to track down Molly and her assailant, attracting the attention of the law towards herself in the process.

The film has frequent flashbacks to Jill’s alleged attack which come to her as she edges closer to tracking down Molly. The plot also opens lots of avenues for possible answers but leaves the audience feeling disappointed once the answers start arriving.

Thursday, 16 August 2012

The Adventures of Tintin

Known in the UK as The Adventures of Tintin: The Secret of the Unicorn, this film charts a particular adventure of Hergé’s famous comic book creation Tintin. Young Belgian reporter Tintin (Jamie Bell) buys an old model ship at a market. Straight away he is approached by two men who offer to buy the ship from him for any price. After he declines Tintin’s ship is stolen and while tracking it down he uncovers a mystery involving lost treasure. With the help of his intrepid dog Snowy and a drunken Sea Captain called Haddock (Andy Serkis), Tintin sets out to find the hidden loot and uncover the secret of the Unicorn. 

I used to watch Tintin cartoons when I was very young and though can’t remember much about them now, I do remember enjoying them. I wish I could say the same for this film. I’d read that the film was an adventure in the mould of Indiana Jones but I found the plot incredibly dull and predictable. The film was saved only by some first rate animation and a typically impressive John Williams score.


Wednesday, 15 August 2012

Vertigo

"Scottie, do you believe that someone out of the past - someone dead - can enter and take possession of a living being?"

A Detective, John ‘Scottie’ Ferguson (James Stewart) is chasing down a criminal over the rooftops of San Francisco when he falls and is left hanging on a gutter. When a cop comes to his aid he falls, leaving the Detective racked with guilt and a new found fear of heights which brings on vertigo. After retiring from the police force he receives a call out of the blue from an old college friend (Tom Helmore) who asks Scottie to follow his wife who isn’t herself. Scottie follows the young woman, named Madeleine (Kim Novak) as she drives to strange places then claims to forget ever being there. There appears to be some sort of paranormal explanation to the proceedings as Madeleine keeps returning to the significant places in the life of a long dead relative of hers. Tragedy strikes at an old church which leaves Scottie facing questions about his own sanity. Slowly he must try to bring together the pieces of a puzzle which appears to be come from a box a few pieces short.

I recently read that Sight and Sound voted Vertigo as the greatest film ever. It was a combination of this fact and my recent discovery of Alfred Hitchcock’s films which drew me to this movie. Having now seen it I strongly disagree with Sight and Sound’s placing of Vertigo at number one but still believe it is a good, but not great film.

Tuesday, 14 August 2012

The Fireman


A Fire Chief (Eric Campbell) is approached by a man (Lloyd Bacon) who asks that the Fire Department ignores a fire at his house so that he may collect the insurance money. The man insures that his daughter (Edna Purviance) is out during the fire so remains unharmed. The woman is not out though when an arsonist sets the property alight and she gets trapped upstairs. Meanwhile the Firemen which include accident prone Charlie Chaplin are at another house, putting out a fire. When the man realises his daughter is trapped he searches for them, finding Chaplin who attempts to save the day and win the woman’s heart.

Amazingly The Fireman was Chaplin’s 52nd film but was released in June 1916. Despite his age and lack of years in the industry he was by now a pro and it shows here with clever gags and a nice central idea. Unfortunately the film suffers from a similar problem as The Floorwalker in that it just isn’t quite funny enough.

Monday, 13 August 2012

The Floorwalker

Charlie Chaplin’s first film for Mutual is set in a department store. The store manager (Eric Campbell) and his assistant (Lloyd Bacon) are trying to embezzle money from the store when a tramp (Charlie Chaplin) enters. The tramp bears a striking resemblance to the assistant manager and after getting caught up in his usual trouble, the two men decide to swap clothes to avoid being caught by those who are chasing them. With the bag of loot changing hands and an escalator both aiding and hindering their escape, the two men attempt to get away with the shop’s takings.

Since its release close to one hundred years ago The Floorwalker has gained fame as being the first film in history to introduce two popular and successful comedic ‘moves’. Charlie Chaplin introduced the escalator to audiences here and also created the now much copied mirror effect whereby two characters mimic each others moves as thought they are a mirror image of each other.