Ruby Sparks

Calvin Weir-Fields (Paul Dano) is still living off the success of his first novel which was published when he was still in his teens. Ten years on he is struggling to write despite having no friends to distract him. In an attempt to help him open up his shrink (Elliot Gould) tells him to write a few pages about whatever comes to mind. After waking from a recurring dream about an enchanting woman, Calvin finds that he can’t stop writing. His writing comes to a halt though one morning when he wakes up to find his literary creation Ruby Sparks (Zoe Kazan) is alive and in his kitchen making eggs. Has he gone insane or has his character really jumped off the page and into his life?

The trailer for Ruby Sparks was excellent and I was really looking forward to the film. It had the sort of buzz that accompanied Little Miss Sunshine and looked to be a quirky and funny indie comedy of the sort that I’m very fond of. Now I’ve seen the film I can attest that the trailer is even better that I thought as it trails a film which doesn’t quite live up to the advert and certainly isn’t as funny as advertised.

Hamlet

Based on one of William Shakespeare’s most famous plays, 1948’s Hamlet was Directed by and starred Laurence Olivier. The film became somewhat of a Marmite film, winning four Oscars including Best Picture but being criticized by some for leaving out vital aspects and characters from Shakespeare’s text. I had never seen a production of Hamlet until today but despite being forced to read Shakespeare at school in the most uninspiring ways possible, I’ve thoroughly enjoyed the several plays I’ve seen as an adult. I am in no way an expert on the bard but what I’ve seen, I’ve loved. It’s with a heavy heart then that I have to report that I did not enjoy Olivier’s interpretation of Hamlet and found it to be one of the dullest movie watching experiences of my year so far.

I’d class Hamlet as a good film which I did not enjoy, much as The Expendables is a bad film which I did enjoy. One of the difficulties when one is watching a Shakespeare play or film is the language barrier. Written in four hundred year old English, the words and phrases are very different to my modern mother tongue and it can be difficult to extract the meaning from the text. I’ve never really struggled before with the likes of Richard III, Romeo and Juliet, Coriolanus and Much Ado About Nothing but here much of the language washed over me. I think this was because of two things. Firstly I wasn’t interested and secondly the actor’s voices reverberated around the sound stage causing echoes which bumped into the following words.

On the Waterfront

The winner of the Best Picture Oscar in 1954, On the Waterfront is a crime drama about urban violence and corruption amongst longshoremen in the New York docks. Terry Malloy (Marlon Brando) is a former prize fighter turned longshoreman with links to mob connected union boss Johnny Friendly (Lee J. Cobb). After the death of a dock worker in suspicious circumstances, his sister (Eva Marie Saint) begins sniffing around and becomes involved with Terry which causes him to be torn between two worlds and right and wrong.

The film was nominated for an impressive twelve Academy Awards, winning eight including Best Picture, Best Director, Best Actor (Brando) and Best Supporting Actress (Saint). With eight wins it joined Gone with the Wind and From here to Eternity as the most highly decorated films in history at that time. The film itself was a fairly low budget expose of the corrupt underworld of the New York docks and bought to light the now common themes of mob racketeering and deaf and dumb police cooperation.

The Perks of Being a Wallflower

I saw this film a little by accident and although I wasn’t as impressed with it as some others, I’m glad I saw it. We went to the cinema to see Liberal Arts but after just five days on release, it had been pulled by my local multiplex so we chose Wallflower instead. Charlie (Logan Lerman) is nervous about starting his first day of High School and is already counting down the days until he can graduate. He is smart and shy and has had a tumultuous twelve months which only added to an already painful life. On his first day he manages to avoid trouble but makes just one friend, his English teacher (Paul Rudd) who spots something in Charlie and gives him extra work to do at home. A few weeks into the school year though Charlie starts to become friendly with step siblings Patrick (Ezra Miller) and Sam (Emma Watson) which leads to a year of ups and downs on his road to manhood.

I’d describe The Perks of Being a Wallflower as a grower, not a shower. I found the opening few minutes difficult to enjoy and had little to relate to the main characters but as it opened up it really grew on me and I found it charming. It’s as good a High School film as I’ve seen this year and contains some nice messages and great performances.

The Adventurer

Chaplin’s final film in his Mutual contract and marking the end of a brief but fruitful relationship is The Adventurer. A convict (Chaplin) is on the run from Prison Guards on the coast when he hears the sounds of people crying out for help. He comes across three people who are drowning having fallen off a nearby pier and saves each of them one by one. One of the people he saves is an attractive young woman (Edna Purviance) who invites the man back to her house to rest without knowing his past. As the two begin to get on very well, the convict’s past catches up with him thanks to the persistence of the young girl’s suitor (Eric Campbell).

Chaplin’s final outing for Mutual is a more than decent short which features some genuinely laugh out loud moments in addition to a well tailored story and plenty of trademark slapstick. What makes it stand out for me though is not only was it the last film Chaplin made for the Mutual Corporation but it was also his last to feature regular adversary Eric Campbell who tragically died just a couple of months after the film’s release in a drink driving accident. Chaplin and Campbell were very close friends, living next door to one another when the latter died and Chaplin never again cast a regular actor to play his antagonist.

Contraband

A remake of the Icelandic film Reykjavik-Rotterdam and Directed by the star of the original, Baltasar Kormakur, Contraband is a middle of the road action-thriller starring Mark Wahlberg as a former smuggler who is forced to take on one final job to save the life of his wife’s brother. Featuring a more than talented cast and a couple of nice reveals, Contraband occasionally rises above the milieu of generic thrillers but overall lands back in amongst its fellows with a script that contains little real action and few thrills.

Whenever I see the names Giovanni Ribisi or Ben Foster appear in opening credits I always sit up and take notice as for my money they are two of the best actors working in Hollywood today. To have them both in the same film is some coup. Wahlberg is an actor who occasionally impresses me but pretty much phones in his performance here and his wife, played by Kate Beckinsale is merely a plot device and has no meaningful role or lines. The same can be said for the talented Lukas Haas who is given little chance to shine.

My Fair Lady

The winner of eight Academy Awards including the coveted Best Picture, My Fair Lady is based on the stage musical of the same name and tells the story of a young working class flower seller called Eliza Doolittle (Audrey Hepburn) who is taken in by an arrogant phonetics Professor Henry Higgins (Rex Harrison) who bets that he can transform the young woman’s gutter mouth and slovenly demeanour into that of a lady who could pass for Aristocracy under close inspection in just six months. The film can rightly be called a classic and contains some of the most recognisable songs in all of musical cinema.

The film is lavishly designed and very well made, featuring some incredible sets which have such a realistic look that I wasn’t totally convinced they weren’t real, despite being more than familiar with some of the locations. The entire film was shot in California but creates a vision of London as real as I’ve seen in any American film. And not a single shot of Big Ben or a ‘London, England’ caption. Bliss. It is also a very well acted film on the whole with just one exception. Rex Harrison won a more than deserved Oscar for his performance and Stanley Holloway and Gladys Cooper were also recognised with deserved nominations but the actor who lets the film down is its lead, Audrey Hepburn.

No Country for Old Men

A film that is difficult to place into just one particular genre, 2007s No Country for Old Men saw the Coen brothers win their first and perhaps long overdue Oscars for Best Picture and Best Director. In a year for which its main rival was the equally nihilistic and violent There Will Be Blood the Coen’s film won a total of four Oscars and three BAFTAS. Set in the West Texas desert in the early 1980s the film is based on the novel of the same name by Cormac McCarthy and tells the story of a man (Josh Brolin) who chances upon the aftermath of a drug deal gone wrong and finds $2 million just waiting to be taken. He is chased by the vicious and merciless hit man Anton Chigurh (Javier Bardem) who is hired to get the money back. Both are in turn hunted down by local Sheriff Ed Bell (Tommy Lee Jones) who despite in being way over his head maintains a calm exterior in the face of the task in front of him. No Country for Old Men is the sort of film that I’d be happy to watch every five years or so but wouldn’t want to see it any more often than that. It is a supremely made movie which features some stunning performances and an interesting story but I found myself drifting more and more as it went on.

Platoon

Platoon takes us through a tour of the Vietnam War through the eyes of the fresh and idealistic young volunteer Chris Taylor (Charlie Sheen). We follow Taylor from his first day in Nam to his final battle accompanied by voice-over which expresses his thoughts, worries and ideas. The film appears to accurately portray the day-to-day life of a soldier in the jungle and promotes the views of the monotonous nature of infantry warfare which is punctuated by moments of extreme violence. Platoon creates an environment for its cast whereby the characters fear not only the Vietcong and jungle but also each other as tensions and rivalries run high and suspicion spreads like wildfire. Personally I think it is one of the finest war movies ever made and it went on to win four Oscars including Best Director and Best Picture at the 59th Academy Awards.  

A History of Violence

I first saw A History of Violence at the cinema in 2005. This wasn’t because it was the latest David Cronenberg film but was rather because the nineteen year old me thought it would be cool to see the new film “with that Lord of the Rings guy in it”. I’ve changed substantially in the last seven years and have since grown to love film but for me what was great about the film on my first naive viewing is still great but unfortunately what is poor, remains so.  The film was released to universal critical acclaim but for me at least it is nowhere close to Cronenberg’s best work.

Tom Stall (That guy off of The Lord of the Rings) is a mild mannered diner owner in a small town in Indiana. He has close ties to the community and a loving family which includes his wife (Maria Bello), son (Ashton Holmes) and young daughter (Heidi Hayes). One day two crooks come to town and try to rob Tom’s diner but after fending them off in an act of self defence Tom gains a little local celebrity. This attracts the attentions of East Coast gangster Carl Fogarty (Ed Harri) who seems convinced that quiet, shy Tom is a former gangster called Joey.