Saturday, 30 March 2013

Ghostbusters



I haven’t seen Ghostbusters since the mid 1990s. I don’t know why this is as I remember liking it as a child, although Ghostbusters II scared me, and I also watched the cartoon The Real Ghostbusters when I was very young. If memory serves me right I also had some Ghostbusters toys. I don’t know then why it has taken me so long (over half my life!) to watch it again. I got the idea to re-watch it before a recent trip to New York as I was in the mood for New York based movies and it was recommended to me on Twitter. Unfortunately I didn’t have the time before I went but I saved it until today and wasn’t disappointed. It’s great fun!

Peter Venkman (Bill Murray), Raymond Stantz (Dan Akyroyd) and Egon Spengler (Harold Ramis) are three misfit scientists working out of Columbia University. When they lose their jobs due to a mixture of incompetence and lack of results they decide to set up shop as Ghostbusters, investigated the paranormal and catching ghosts for the people of New York City. They are initially successful and gain a reputation and celebrity status but something big on the horizon threatens to derail them and the entire city.

The Evil Dead



I always seem to prefix horror movie reviews with the same statement and here it is. I don’t really like horror movies. I don’t like to be scared and horror movies scare me. Now that’s out of the way I can spring a little surprise and say that watching The Evil Dead was just about as much fun as I can remember having with a movie, possibly ever. It’s fantastically gory and over the top as well as being hilariously and outrageously funny to boot. I watched the movie for two reasons. The first was to try and expand my cinematic viewing (horror is the only genre I generally avoid) and the second was to make sure I saw the original before the remake Evil Dead hits cinemas next month. I’m really glad that I saw this terrific movie before the remake.

The story will sound very familiar as the concept has been copied hundreds of times over the last thirty years but basically five college students head to a cabin in he woods for a break and things start going bump in the night. Shortly after arriving they discover some creepy looking items in the cellar which include a tape recorder on which a scientist documents strange goings on in the woods. What follows is an hour of gory, gruesome and genuinely mirthful slayings as the kids battle the demonic forces that lurk in the woods.

Friday, 29 March 2013

Dr. Strangelove



Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is a 1964 satirical black comedy which was co-written, produced and directed by Stanley Kubrick. A hit on its initial release and widely regarded as one of the greatest films of all time, Dr. Strangelove lampoons the Cold War fear of and attitude towards Mutually Assured Destruction (MAD), the idea that if one side were to bomb the other then the other side would retaliate and so on until both were destroyed. Although a seemingly brave subject matter for a comedy it is in fact part of a long line of films which poke fun at serious issues of the day. Both M.A.S.H. and more recently Team America: World Police have managed to find humour in solemn subjects but a very strong argument can be made that Dr. Strangelove is the greatest of them all.

The plot concerns a wayward and mentally disturbed US Air Force General who sends his squadron of B-52 bombers, armed with nuclear bombs towards Russian targets and then closes down all lines of communication and removes all abort codes. With the world close to its end, various men attempt to halt the planes from reaching their targets. British actor Peter Sellers plays no less than three characters here, and plays them all brilliantly. He performs as RAF Group Captain Lionel Mandrake who attempts to persuade the wayward General Jack D. Ripper (Stirling Hayden) to stop as well as playing US President Merkin Muffley who is in the War Room and his wheelchair bound ex-Nazi advisor Dr. Strangelove.

Midnight Express



For years friends and colleagues who know of my interest in films have been asking what I think of Midnight Express. I’ve always had to apologise and say that I’ve never seen it. This happened most recently last week and when I got home I finally remembered to add it as a high priority to my LoveFilm account with the company duly dispatching it just a couple of days later. Now when someone asks me what I think of Midnight Express I will be able to take them, though it might take some time. There is no doubting that it’s a very good film but it wasn’t quite the film I was expecting and there are one or two quite major problems with it.

The movie is based on a book by Billy Hayes, played here by Brad Davis. While in Istanbul with his girlfriend, Davis attempts to smuggle 2kg of hashish back to the US but is caught at the airport amid tighter security following a series of Palestinian lead hijackings. Billy is arrested and sent to a Turkish jail where he will spend the next several years.

Trance



Trance is the first film from Oscar winning Director Danny Boyle since he helmed the 2012 Olympic Opening Ceremony. Less than twelve months after performing the seemingly impossible and creating a ceremony for which Britain could be proud, Boyle is back to doing what he does best which is to make bloody good films. Trance is a thriller/drama starring James McAvoy as an art auctioneer who gets mixed up in a heist but subsequently loses his memory. With an impatient gang behind him lead by the always watchable Vincent Cassel, McAvoy’s Simon visits hypnotist Rosario Dawson to unlock his missing memory and rediscover the lost Goya painting.

I saw a retrospective interview with Danny Boyle recently in which his back catalogue was delved into. It suddenly dawned on me that he is one of my favourite directors as I’ve enjoyed every single one of the seven (of his nine) films I’ve seen. Additionally I’ve seen six of those seven more than once and I’d put the likes of Trainspotting and Slumdog Millionaire in amongst my top 50 films of all time. Trance won’t be entering my top 50 (if I actually had one) and isn’t a film I will be in a rush to see again but I thought it was a taught, stylish and confusing thriller which had me gripped from start to finish.

Wednesday, 27 March 2013

A Beautiful Mind



I saw A Beautiful Mind sometime in 2003 when I was still living at home with my parents. I remember that we all loved it and for a little while it became my favourite film. (Note I discovered Martin Scorsese the next year). Ten years later and I barely remembered a thing about it. I remembered Russel Crowe and something about maths and spying but that was all. I didn’t even remember how remarkably well formed Jennifer Connolly looked. I certainly didn’t recall any twists or surprises. Coming back to the film after ten years in my bid to watch every Oscar Best Picture winner (the film won in 2002) I was left disappointed by some very obvious twists and character development, something my young mind didn’t pick up on in 2003 and had subsequently forgotten. This early flaw put a dampener on the entire film and although it is very good in places, I could never quite get over the early let down.



The film is based on the life of Mathematician John Nash (Crowe) and we pick up his story as he begins his Doctoral thesis at Princeton in 1947. It is immediately obvious that he is highly gifted, egotistical and sure of his talents but lacks interpersonal skills. This is something which is picked up upon by his class mates and he makes very few friends in his time at College. He does gradually become acquainted with his eccentric English room mate Charles Herman (Paul Bettany) and the two remain close for many years. After a major breakthrough at Collage, Nash begins working at MIT but his unusual personality begins to develop into something more and he is taunted by mental illness which interrupts his work and threatens to break up his family.

Tuesday, 26 March 2013

Slumdog Millionaire



In early 2009 I was stunned by a cinematic experience so bright, colourful, exciting and interesting that I saw the movie twice within a week. The film was Slumdog Millionaire and a month later it won seven BAFTAS and eight Oscars including the big one, Best Picture. The film is a somewhat fantastical but highly engaging story of love, hardship and fortune told from the point of view of young Mumbai tea boy Jamal Malik (Dev Patel). Through his eyes we are told the story of his eighteen years and of his continuing search for his lost love Latika (Freida Pinto). In the hope that she sees him, Jamal becomes a contestant on India’s highest rated game show Who Wants to be a Millionaire but when he fortuitously answers several difficult questions correctly the host (Anil Kapoor) and Police (Irrfan Khan) want their own answers, most pressingly how he knows what he knows.



It’s not an exaggeration to say that I love this movie. I love everything about it from the direction, the soundtrack and the story to the cute child actors and cute adult actors (Pinto). After my initial double viewing I didn’t see the film again until today, over four years later. As soon as the titles rolled I got the little tingle that I got on my first viewing and by the end I was sure that my affection for the film hadn’t diminished at all.

Sunday, 24 March 2013

Seeking a Friend for the End of the World



The apocalypse is just three weeks away, your wife has left you and you regret most of the major decisions you’ve ever made. What do you do? Some people try to fuck everyone they can, others drink to forget. A few carry on as normal and some riot. Dodge Peterson (Steve Carell) decides he’s going to seek out his old High School sweetheart after discovering a letter from her telling him that he was the love of her life. With him he takes his kooky English neighbour Penny (Keira Knightley) who he just met with the promise that he can get her a on a plane to be with her family before the end.

Seeking a Friend for the End of the World is a sweet indie type of movie with its heart in the right place. It features two watchable leads and a nice story but is short of laughs and far too formulaic. It was a movie that I’d hoped to see in the cinema but my girlfriend’s dislike of Carell and Knightley coupled with a short theatrical run put a stop to that. It is a film which hasn’t enriched my life and won’t stay with me long but was worth the hundred minutes of my life.

Grand Hotel



For a while now I’ve been trying to review every single winner of the Best Picture Academy Award. It’s harder than you’d imagine to get hold of some of these films but I managed to track down Grand Hotel in New York recently. I chose it over 1927’s Wings by price alone but now wish I’d opted for the latter. Grand Hotel won the Best Picture award at 5th Academy Awards and is to this day the only film in history to be nominated for BestPicture and nothing else. The film is based on a play which is in turn based on a novel and is set entirely within the grounds of Berlin’s Grand Hotel at the end of the Weimar Republic’s Roaring Twenties. The film is full of glamour and charm but left me feeling rather bored for almost its entire one hour and fifty minutes.

Grand Hotel became the model for many films that followed and for its time was unique for blending various characters and storylines into a coherent narrative. The film follows some of the guests at the hotel over the course of a couple of nights following a statement from permanent resident Dr. Otternschlag (Lewis Stone) that “People come and go. Nothing ever happens”. Before Grand Hotel films weren’t as bold as to mix so many stories and characters in such abundance but the idea continues to this day with the likes of Babel and Crash.

Saturday, 23 March 2013

Taken 2



Those of you who know me personally will be well aware that 2008’s surprise hit Taken is one of my least favourite films since, well ever. I deeply disliked the casual xenophobia, cartoonish depiction of Yurop (Europe) and all round head kicking dullness. As you can imagine then, the idea of Taken 2 did not excite me and I had no intention of putting myself through another dose of nonsensical, skull crushing chaos. That was until I was on a recent flight with eight hours to kill. Having already seen films I wanted to see on the flight out I was short of things to entertain me so tentatively pressed the Taken 2 button and closed my eyes in shame and fear when I hit ‘play movie’.



The film follows on from the events of Taken which if you don’t know involved the teenage daughter (Maggie Grace) of ex C.I.A. man Bryan Mills (Liam Neeson) being ‘taken’, get it? by a group of Albanian people traffickers to be sold into sexual slavery. This all happened in Foreign (France) where everyone is evil and speaks English, not French. So, it’s a few years later and Mills is still overly protective of his teenage daughter, who looks about thirty by the way. He goes to Istanbul for a job and his daughter Kim (Grace) and ex wife Lenore (Famke Janssen) surprises him with a visit. Meanwhile the family of the nondescript but dead Albanians from the first movie are seeking revenge and ‘take’ Bryan and his ex wife.