I always seem to prefix horror movie reviews with the same
statement and here it is. I don’t really like horror movies. I don’t like to be
scared and horror movies scare me. Now that’s out of the way I can spring a
little surprise and say that watching The
Evil Dead was just about as much fun as I can remember having with a movie,
possibly ever. It’s fantastically gory and over the top as well as being
hilariously and outrageously funny to boot. I watched the movie for two
reasons. The first was to try and expand my cinematic viewing (horror is the
only genre I generally avoid) and the second was to make sure I saw the
original before the remake Evil Dead
hits cinemas next month. I’m really glad that I saw this terrific movie before
the remake.
The story will sound very familiar as the concept has been
copied hundreds of times over the last thirty years but basically five college
students head to a cabin in he woods for a break and things start going bump in
the night. Shortly after arriving they discover some creepy looking items in
the cellar which include a tape recorder on which a scientist documents strange
goings on in the woods. What follows is an hour of gory, gruesome and genuinely
mirthful slayings as the kids battle the demonic forces that lurk in the woods.
The Evil Dead was
Sam Raimi’s first feature film and unsurprisingly he has gone on to have a
highly successful career as a horror director but has also branched out into
action (Spider-Man) and more recently
fantasy (Oz the Great and Powerful).
For a debut feature the film is incredibly focussed and confident and Raimi
creates a fantastic, creepy atmosphere and introduces some wonderful camera
angles and shots. One shot in particular in which the camera is upside down
behind Bruce Campbell before swooping over his head to face him, tightly
focussed on his terrified face, reminded me of a similar shot in Psycho which has stuck in my head for
months. Even aside from this there are loads of shots which are really well set
up and executed and can only come from a man with a clear idea and great skill
behind the camera. The use of Dutch angles, which Raimi relies on a lot, adds
atmosphere and an off kilter sense of unnatural proceedings.
The creepy and unnerving atmosphere is added to with a great
horror score. Unlike a lot of modern (and crap) horror films which go “quiet,
quiet, quiet, quiet… BANG!” The Evil Dead
makes use of the score to ratchet up the tension but doesn’t rely on it for
scares. There’s a great moment when the camera is above an actor and panning
across a room. When the actor is obstructed from view for a brief moment by a
beam, a high pitched piano note is played. This happens about seven or eight
times in quick succession and might have felt out of place had the rest of the
score not been so good. The score compliments the film and is noticeable when
it needs to be but it doesn’t overpower the visuals or distract from the
eccentric and outlandish gore. Sound effects greatly add to the horror as well
as the comedy and the sound of impaled flesh and crushing bones is well done
but not too realistic. The doctored voices of the demonically possessed also
sound great and appear to be the blue print for every horror film that followed
although I’m pretty sure the distorted voice had been used before this film.
For me the film will be memorable for the macabre gore. The
movie is incredibly gruesome and violent but unlike modern films such as Saw in which the realistic bone
crunching makes me squeamish, I enjoyed the prosthetic and stop motion gore of The Evil Dead. It’s gruesome and
disgusting but recognisably pretend. It also looks fantastic. For such a small
budget and with limited experience, Raimi and his crew create some incredible
shots of ghastly and repugnant dismembering and body poking. An early scene in
which a tree interferes with a woman is also highly disturbing and unusual.
There are gallons of bodily fluids flooding the cabin from the realistic
looking blood to the less than realistic looking pink yoghurt stuff which the
demons expel from their eyes, mouths and other bodily orifices. I’ve seen films
as gory as The Evil Dead but they’ve
never been as intense or as good. It is the over the top prosthetics and stop
motion which provided a lot of the laughter but not nearly as much as the
acting.
It’s fair to say that the acting in The Evil Dead is terrible. Most of the actors including Bruce
Campbell (Jim Carey’s Dad) were already friends of director Raimi and Campbell is the only
actor to have forged a successful career subsequent to appearing in the film.
The acting is generally wooden and the actors give some rather odd reactions to
what is happening in front of them. They tend to be better once possessed but
on the whole it’s pretty poor. I personally don’t see this as a problem
although it did cause me and especially my girlfriend to laugh at moments which
probably weren’t intended. It is rare for a typical cabin in the woods style
horror movie to feature talented actors on top form so I wasn’t really expecting
Daniel Day-Lewis levels of acting prowess.
Overall The Evil Dead
is gruesome, scary, funny and very well made. I was shouting at the TV, hiding
behind my girlfriend’s shoulder and laughing hysterically and the film is
enormous fun. I’m now eager to see The
Evil Dead 2 as soon as possible and only hope that both that film and the
forthcoming remake are half as much fun as this classic.
9/10
GFR 8/10
Titbits
- Most of the demon POV shots were made by attaching a camera to a piece of 2x4 and having Raimi and Cambell run through the woods while holding the ends.
- The film became one of the original 'Video Nasties' in the UK.
- An early scene involving a tree and a woman was banned in some countries.
- The original title The Book of the Dead was changed for fear that young people would be put off by the word 'book'.
- The ripped 'The Hills Have Eyes' poster is a reference to the ripped 'Jaws' poster in that movie.
- Joel Coen was assistant editor on the movie.
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