Jeff, Who Lives at Home

Jeff (Jason Segel) is a thirty year old man with a puncheon for the film Signs and lives in his mother Sharon’s (Susan Sarandon) basement. His older brother Pat (Ed Helms) still lives close by with his wife Linda (Judy Greer). He and Linda are in the midst of serious marital problems. One day while she is at work, Sharon asks Jeff to go to the shop to pick up some wood glue. Convinced that the name Kevin is some sort of sign he ill advisedly follows various Kevins’ around the city bumping into his brother along the way.

To me the film was like a cross between a Wes Anderson film and The Office. It has the odd, quirky indie charm of an Anderson picture but the awkward humour and filming style of The Office. Unfortunately it was neither as good as any Wes Anderson film I’ve seen nor The Office. At times it was quite funny but these moments were usually fleeting and there weren’t many of them. The story was reasonably interesting and the film had a sweet ending but it just didn’t mesh together. The whole ‘the Universe will show me the way’ nonsense was really annoying and although the ending was very sweet, it was obvious and annoyed me.

Silent House

Sarah (Elizabeth Olsen) is helping her father (Adam Trese) and uncle (Eric Sheffer Stevens) to renovate the family’s old lakeside house before selling it. It’s a place they have rarely visited in years. Local kids have smashed all the windows and blown the electrics meaning that the boarded up windows let in no light. The only light available is that which comes from a torch or handheld lamp. While in the semi darkness and after her uncle has left for the day, Sarah hears a noise which her father goes to check out. He never returns. Sarah is left alone in the house with someone or something out to get her and her family and no way out.
 

The whole film was shot in such a way as that it looks like one continuous shot. I noticed the odd cut here and there but overall the idea is very successful. It genuinely feels as though Elizabeth Olsen is in the house for 85 minutes, running, hiding from and fighting whatever is after her. Using just one camera, Olsen is on screen for about 84 of the 85 minutes and has to carry the entire film. She does so with great aplomb. The one shot idea isn’t original and indeed the film itself is a remake of a 2010 Uruguayan film but it’s a nice gimmick that is well used.

Norwegian Wood

"What if I can't get wet ever again?"

Set in 1960s Japan, Norwegian Wood (Noruwei no mori) is a film about depression, loss and sexuality. After his best friend Kizuki commits suicide aged 17, Watanabe (Ken-ichi Matsuyama) moves to Tokyo and enrols at University in an attempt to escape the depressing nature of his home town. By chance one day he meets his dead friend’s ex-girlfriend Naoko (Rinko Kikuchi) and the two begin a loving but strained relationship. Naoko has never truly got over the death of Kizuki and one day disappears, eventually turning up in a sanatorium deep in the forest. Watanabe tries to maintain both a friendly and sexual relationship with the depressed Naoko but this is made difficult by her mental state and the introduction of the outgoing and self confident Midori (Kiko Mizuhara) who vies for Watanabe’s affections.

GB Posters Blog - Predator

I've been asked to write occasional blogs for 'The UK's number one poster site', GB Posters on a freelance basis and below is the link to my first one - Predator.

http://www.gbposters.com/blog/guest-blog-classic-film-review-predator

Piranha 3DD

A sequel to 2010’s surprise hit Piranha 3D stars an ensemble cast of large breasted girls and handsome men plus a few D List comedy actors and well known faces in a battle of fish vs man. The action is transported to a water park in Arizona where sleazy Chet (David Koechner – Anchorman) has made some changes to his late wife’s park. These include hiring strippers as lifeguards and the use of a dodgy water supply. His daughter in law Maddy (Danielle Panabaker) is home for the summer and shocked at the changes. With rumour of Piranha on the prowl she tries to close the park but finds that she is already too late.

I really enjoyed Piranha 3D. It took me completely by surprise and was funny, rude and ridiculous. Piranha 3DD has all the same ingredients but has added more rude and ridiculous and toned down the funny. The result is pretty much the same film as the original but has lost what made it unique as it’s all been seen before. There is nothing new and the ‘story’ isn’t progressed but it has the odd moment which made me smile and plenty which made me cringe.

Dark Shadows

"Tell me, future dweller, what is the year?"

Barnabas Collins (Johnny Depp) is the son of a wealthy English family who move to Maine, USA in the late 18^th Century. After spurning the affections of servant/secret with, Angelique (Eva Green) he falls in love with local girl Josette (Bella Heathcote). Angelique, unable to bear seeing someone else with Barnabas, kills his parents and Josette and turns Barnabas into a vampire. 200 years later it’s 1972 and Barnabas is unearthed from a coffin which the townsfolk placed him in and attempts to reconnect with his living family and rebuild the great Collins name.    

Tim Burton appears to be on a bad run at the moment. His last two films 9 and Alice in Wonderland were critical failures though Alice proved to be extremely popular at the box office. It is my feeling that Burton is currently favouring style over substance and that is evident in his latest offering. Tim Burton has no trouble creating beautifully odd looking sets, characters and films but it is one thing to make a film that ‘looks Tim Burton’ and another to make a film that is any good. The film has all the gothic grace of Tim Burton’s finest and he manages to meld this with a 70s look which works quite well. Details of both periods look great and work well together. The set dressing, clothes and music are all spot on. Where the film falls down is in the plot.

The American Friend

"He'll never bring The Beatles back to Hamburg"

Loosely based on the novel Ripley’s Game and made by German Director Wim Wenders under the title Der amerikanische Freund the film stars Bruno Ganz (Downfall, Unknown) as Jonathan, a picture framer with a terminal blood disease. Jonathan meets a wealthy American Tom Ripley (Dennis Hopper) who deals in art forgery. Jonathan, knowing what Tom does wants nothing to do with the American and initially refuses to shake his hand. Later, Tom is approached by a French criminal named Raoul (Gerard Blain) who asks Tom if he is willing to commit a murder against a rival gangster. Tom refuses but suggests Jonathan as he has no connections and may be willing to do the job for money so that he has something to leave his wife (Lisa Kreuzer - Kings of the Road) and young son after his imminent death. Jonathan reluctantly agrees after being manipulated by the criminals but his actions set him and Tom on a path towards destruction.

12 Angry Men

"Prejudice always obscures the truth"

1957 – New York. A Jury of twelve men have finished hearing the trial of a young immigrant man accused of murdering his father by stabbing him to death. After a brief vote in a sweltering deliberation room the vote is 11/1 in favour of a guilty verdict. The jury have been informed by the Judge that they must reach a unanimous decision. Voices are raised and tempers fray as the twelve men debate the case that could send a man to the Electric Chair.

This film has one of the most compelling stories I have ever seen. I couldn’t take my eyes off it for a minute. I was afraid of blinking or turning my head to check the time in case I missed a vital detail. This really is masterful story telling. In the beginning it is just Henry Fonda’s ‘Juror number 8’ character who votes not guilty but as the film progresses he and others question statements and evidence until more and more of the jurors have doubts. It is fairly obvious from early on what the outcome is going to be but that doesn’t matter. How they reach the decision is fascinating.

The Fly

"Your stocking has just been, teleported"

Eccentric scientist Seth Brundle (Jeff Goldblum) meets journalist Veronica Quaife (Geena Davis) at a party. Attempting to impress her he shows off his latest invention, a teleportation device. Suitably impressed she shares the idea with her editor and ex-lover Stathis Borans (John Getz) who thinks the whole thing is a windup. After convincing Veronica not to run a story as the device is not yet complete the two enter into a relationship. One night after discovering that Veronica and Stathis are ex-lovers, Brundle gets drunk and decides to step into the machine. What he doesn’t realise is that a fly is also in the teleporter and when he and the fly are teleported they are merged at a molecular-genetic level. Over the coming months Brundle transforms into a human-fly hybrid which he names ‘Brundlefly’.

The film opens with the orchestral boom of a 1950’s B-Movie in perhaps a nod to the original film upon which it is loosely based. The film retains very little of the original and is much more a metaphor for disease and the process of aging than the original. In my opinion the film owes as much a debt to Franz Kafka’s Metamorphosis as it does to the 1958 version. The film is also thematically very similar to Italian Giallo Horror, especially in its depictions of madness and alienation.

Mean Streets

"Yeah"

"Ey?'"

"Eyy"

Generally regarded as Martin Scorsese’s first great film and the third in my Scorsese in Sequence feature, Mean Streets is perhaps Scorsese’s most personal film to date. Centred in Manhattan’s Little Italy neighbourhood that Scorsese grew up, in the film charts the day to day lives of a group of young Italian American men. Charlie (Harvey Keitel) is a semi connected guy who works for his uncle, a local mafia boss but dreams of running a restaurant. He feels responsible for his no good friend Johnny Boy (Robert DeNiro) who owes everyone in the neighbourhood money and has no intention of paying it back. Michael (Richard Romanus) is a loan shark who Johnny Boy owes a huge debt to. Johnny Boy tries to avoid the people he owes but this becomes difficult as both he and Michael frequent Tony’s (David Proval) bar.