The Champion

Chaplin’s third Essanay picture and he finally appears to have found his feet with the new studio. Chaplin’s tramp, destitute and famished spots a sign offering money to act as a sparring partner. He watches as three men go in before him and return battered and bruised. Chaplin however has a trick up his sleeve or rather in his glove; a lucky horseshoe, which he uses to knock out his larger, more adept opponent. Spotting his potential a trainer prepares the slight Chaplin for a big fight against the champion Bob Uppercut (Bud Jamison) but Chaplin has other things on his mind, namely the trainer’s daughter Edna Purviance.

I was so glad that this film was good. I was really disappointed with Chaplin’s first two Essanay films His New Job and A Night Out. This is a real return to form. The idea was actually taken from a Fred Karno sketch that Chaplin performed before entering the movie industry. Perhaps one of the reasons for the film’s success is that Chaplin knew what he was doing before he went in rather than partially making it up as he went along.

Moonrise Kingdom

"What kind of bird are you?"

It’s 1965 and pre teen pen pals, Sam (Jared Gilman) and Suzy (Kara Heyward) agree to run away from home and meet up a year after meeting for the first time. While the two of them head off into the wilderness of Suzy’s twelve mile long home island a search party that includes Island Policeman Bruce Willis, Scout leader Edward Norton, Suzy’s parents Bill Murray and Frances McDormand and Sam’s fellow Scouts set about trying to hunt the eloping children down in the days preceding a huge storm.

I should say from the outset that I am a huge Wes Anderson fan and have absolutely loved all of his films with the exception of Fantastic Mr Fox so I went in expecting great things. My expectations were matched and even perhaps exceeded. I loved this film. Anderson sets up Suzy’s home life in a fantastic opening sequence which features some exquisite tracking shots through the family home. Before anything is said it is already obvious to the audience that Suzy is a loner who longs for something bigger, something more. Her parents do not get on and are never even seen in the same room, let alone talking to each other. She has three younger brothers who appear to get along very well. Her house is large and well furnished, indicating wealth if not happiness. All of this is established in one long sequence of beautiful camera movements which last no longer than a couple of minutes. Sam’s life with his Scout troupe is shown in a similar manner although it soon becomes apparent that he has already escaped in search of his love, Suzy.

The Girl with a Dragon Tattoo

"Why would they remake something when they can just go see the original?" - Niels Arden Oplev

Mikael Blomkvist (Daniel Craig) is a journalist who works for Millennium Magazine in Sweden. He has recently lost a libel case bought against him by a crooked businessman. Retired businessman Henrik Vanger (Christopher Plummer) asks computer hacker Lisbeth Salander (Rooney Mara) to do some background research on Blomkvist before asking the journalist to help him uncover the mystery surrounding his niece’s disappearance in the 1960s. Blomkvist accepts the challenge and begins work on a small island inhabited by many of the Vanger family. Salander, after going through unbelievable hardships is eventually tracked down by Blomkvist and agrees to help him with the case. The two of them attempt to get to the bottom of the mystery but end up uncovering much more.

This is a good film but I have many problems with it. The first and most major problem is that there is no reason for its existence. The novel The Girl with the Dragon Tattoo was made into an excellent feature film (review here) in 2009 and this version brings nothing new to the table except that it is in English for all the stupid/lazy tw*ts who can’t be arsed reading subtitles. I do not see the point in making this film other than to fill the pockets of Hollywood and to further dumb down English speaking audiences. It isn’t even as though the Swedish version is difficult to come by. I spotted it in my local HMV for less that £5 just a few days ago. It. Is. Pointless.

A Night Out

Charlie Chaplin’s second film for Essanay saw him move production to their Californian studios for the first time. Chaplin and Ben Turpin are on a night out and end up getting very drunk. They go to a nice restaurant where they cause trouble for a smartly dressed gentleman. The head waiter arrives and throws the pair out but not before Chaplin has caught sight of the waiter’s girlfriend Edna Purviance. Back at their hotel Chaplin and Turpin bump into Purviance once more and again cause trouble for themselves and get thrown out of their hotel. Onto another hotel and Chaplin alone this time meets Purviance again, but will the waiter get in the way of his affections?

This film is a bit of a mess, though it isn’t easy to say to what extent this is Chaplin’s fault and how much time is to blame. The version I saw seems to have been made up of three or four different copies and as a result it changes from black and white to sepia and back quite often. The editing is also pretty poor, often cutting away in the middle of a gag. The story also makes little sense and Turpin just disappeared altogether half way through the film. Most of the gags are simple door in face or fist in face sort of things which is a shame.

Alien 3

"Don't be afraid. I'm part of the family"

Ripley (Sigourney Weaver) is back in stasis aboard the Sulaco when a fire causes the escape pod to separate from the ship and she crash lands on Fiorina ‘Fury’ 161, a penal colony inhabited only by men. Ripley’s fellow Aliens survivors all die in the crash, leaving her alone and stranded in the prison. Unfortunately for Ripley and the prisoners, an alien face hugger was on board the pod and has also survived the crash.

While I’ve been watching the Alien franchise for the first time over the last few weeks I’ve been told by numerous people that Alien 3 was by far the weakest of the series. So far, I’d have to agree. The film entered production without a completed script and the messiness of the film is some testament to that. It feels as though the film doesn’t know what it wants to be. It is less scary than even Aliens but has a bit more of a dramatic quality than Alien. The film also appears to introduce a comic element to the series but this fails miserably. The story feels incoherent and the characters are barely written. In both previous instalments the large cast always felt well written and as though they were rounded characters. In Alien 3 the majority of them appear to be just cannon fodder. The only new character that I cared a little about was killed off within the first half.  

His New Job

Chaplin’s first Essanay Picture was released in February 1915. Chaplin is at a film studio looking for a job. After several bits of humorous business he is hired as an extra but after being a nuisance on set is instead demoted to Carpenter’s Assistant. Through a mixture of wit and luck, Chaplin regains his position in front of the camera and ends up accidentally wearing the lead actor’s costume. All hell breaks loose when he arrives on set to find Chaplin in his clothes and Chaplin again uses a mixture of wit, luck and this time also violence to continue in his job and get revenge on several characters who had wronged him.

The film marks not only Chaplin’s first film with Essanay but also his first with fellow comic actor Ben Turpin. The two share a couple of great scenes together, the first of which involves a fight to get through a door and is excellent. It’s such a shame that the two actors couldn’t find a way to work together because on screen at least, they made a great partnership. Unfortunately a mixture of Turpin’s impatience with Chaplin’s methodical methods and Chaplin’s jealousy of Turpin’s ability to get laughs, their partnership went no further. 

Charlie Chaplin - The Essanay Films

Just a year after his screen debut and after he had earned his chops with Keystone, Charlie Chaplin had become one of the biggest stars in the new medium of film. After appearing in 36 films for Keystone, Chaplin moved on to the Essanay Film Company having received an offer of $1,250 a week and a promise that he could write and direct all of his own films.

Essanay had been formed in Chicago in 1907 by George K Spoor and Gilbert M Anderson who took their surname initials of S and A to form the name Essanay. Anderson was himself an actor and director and became famous under the pseudonym Broncho Billy. He also had a role in the first ever Western, the now highly regarded The Great Train Robbery. In search of better shooting locations for his Westerns, Anderson travelled with a small crew to California where he eventually set up a studio in Niles, CA. Chaplin shot his first Essanay picture at the Chicago studio but being unimpressed with the conditions subsequently produced the rest of his films at the Niles studio.

In total Chaplin made 14 films for Essanay between February 1915 and May 1916. Although today these films are not generally considered to be amongst his best, they were produced at a time when Chaplin went from being a star to the world’s first movie super star and show the development of his craft. They also introduced Chaplin to Edna Purviance who over a span of eight years appeared in more than thirty of his films. Chaplin’s Essanay films were more coherent and less frenetic than his Keystone pictures and featured greater character development. Not everything was well inside Essanay though. Chaplin had a fraught relationship with fellow Essanay star Ben Turpin and despite working well together on screen; Turpin appeared in only a couple of Chaplin’s films. When Chaplin left the company in 1916 it caused a rift between the two founders and the company eventually collapsed in 1920.

I will be watching each of Chaplin’s Essanay films in order and writing a brief summary and critique which I’ll link to below. Also, The Charlie Chaplin Film Club have also very kindly compiled my reviews here.

1. His New Job  3/5
2. A Night Out 2/5
3. The Champion 4/5
4. In the Park 3/5
5. A Jitney Elopement 4/5
6. The Tramp 4/5
7. By the Sea 2/5
8. Work 2/5
9. A Woman 2/5
10. The Bank 5/5
11. Shanghaied 2/5
12. His Regeneration 2/5
13. A Night in the Show 4/5
14. Burlesque on Carmen 4/5
15. Police 3/5
16. Triple Trouble 1/5

The Expendables

"First of all, I don't feel comfortable talking business with a giant carrying a shotgun"

The Expendables are a group of mercenaries led by Barney Ross (Sylvester Stallone) who are sent by CIA Operative ‘Church’ (Bruce Willis) to overthrow a Latin American Dictator, General Garza (David Zayas) who is in reality a puppet of ex-CIA man James Munroe (Eric Roberts). Joining Ross on the mission is ex SAS man Lee Christmas (Jason Statham), Martial Art expert Yin Yang (Jet Li), sniper Jensen (Dolph Lundgren), weapons specialist Caesar (Terry Crews) and demolitions expert Toll Road (Randy Couture). The team may be a little long in the tooth but they still pack a punch and the fate of a country is in their hands.

I’ve been watching a lot of 80s films recently so it’s quite apt that I’ve watched this which although made in 2010, is well and truly grounded in the 1980s. Most of its stars made their names in the action movies of the period and they are joined by the action heroes of today. It’s an impressive action movie cast, a bit like a corny version of The Avengers only with fewer superpowers and more muscle.

The Raid

"Pulling a trigger is like ordering a takeout"

The Raid/ The Raid: Redemption/ Serbuan maut - Deep inside one of Jakarta’s slums lays an apartment block that is the base of one of Indonesia’s most wanted gangsters, Tama Riyadi (Donny Alamsyah). After being a no go area for the Police for years, they plan a raid to take the gangsters out. Early one morning a 20 man SWAT team descend on the building with the aim of clearing it out once and for all. Amongst the team is rookie cop Rama (Iko Uwais) who has left his heavily pregnant wife at home that morning, possibly for the last time. The SWAT team slowly make their way through the building, taking prisoners as they go before they get to the 6^th floor where they are discovered. Soon an army of drug dealers, criminals and gangsters is on top of the small team of Police and what began as a mission to clear the building turns into a battle for survival and escape.

Id’ been looking forward to this film for months, having heard great things from the countries in which it has already been released. I’d heard rumours that it was the best Action film in a long time and having now seen it I have to agree that it probably is. The action is frenetic and features five or six scenes which are equal to the Oldboy corridor scene. That is enough on its own to make a great film but there is also a fairly engaging story of deceit, courage and duty. The story takes a back seat for a lot of the film but there are some nice twists in there. What this film is really about is hitting people, repeatedly and in ever differing ways. Director Gareth Evans cleverly balances the action with several short rest bites in which the audience can regain their breath before throwing another superb fight scene at them.

Aliens

"Get away from her, you bitch!"

After surviving the onslaught of Alien, Ripley (Sigourney Weaver) has spent 57 years in stasis, floating aimlessly through space. By chance she is picked up by a salvaging vessel and woken up from her deep sleep. Upon telling her story to the Weyland-Yutani Corporation she is met with scepticism and is reduced to working in a loading dock. Later she is visited by Burke (Paul Reiser) who informs her that Weyland Co has lost contact with colonists on LV-426 and he requests that she returns to the planet with a group of Colonial Marines to discover the fate of the colonists. Ripley reluctantly agrees and joins the expedition only to discover that the aliens have struck again, only this time on a much greater scale.

Unlike Alien which was a sci-fi/horror, Aliens is more of an action-adventure in the mould of director James Cameron’s recent super hit Terminator and reminded me a little of Predator. In the end the slight genre change had little effect on the final product as the film is in my view very close to as good as the original. The sets look incredible and realistic. I’m a big fan of a well designed and dressed set and those in Aliens are superb. The sets of 80s science fiction movies always look more impressive to me than those of today because you get the feeling that the actors are really there, interacting with their environment as supposed to being stood in front of a green screen and stepping over green boxes. The ships, vehicles, planet and colonist’s HQ all look great. The design of the guns is also very good. They remain grounded in reality but with a slight futuristic edge to them. The effects are a mixed bag with some looking as good as anything today but others looking noticeably aged.