In the Park

Chaplin’s first one reel farce for Essanay is set in a park. A lady has her handbag stolen by a thief who then attempts to steal Chaplin’s sausages. Chaplin ends up with the bag and it goes from person to person with each usually ending up with a brick to the face or foot to the bottom until one man tries to kill himself and another ends up in Police custody.

For such a short film In the Park has a surprisingly large cast. Chaplin regulars such as Edna Purviance, Leo White, Ernest Van Pelt and Bud Jamison all appear along with three or four other bit players. Considering the film is only fourteen minutes long it feels like a lot happens and is more reminiscent of Chaplin’s Keystone pictures rather than say The Champion which was released just a week earlier than this.

Benda Bilili!

Benda Bilili! Is a 2010 documentary about a group of disabled musicians from Kinshasa, Congo who use rudimentary and hand made instruments to produce wonderful rumba and reggae music. The band are followed from 2004 to 2010 by French film makers Renaud Barret and Florent de La Tullaye as they progress from living on the streets and practicing at the city’s zoo to recording an album and touring Europe. The film focuses on the struggles of the various members and those around them and upon their influence in the city and especially on the young street kids who follow and assist them.
 

The band use strange hand peddled tricycles to get about as most of the members suffer from Polio and are unable to walk. Their songs are about their lives on the streets from being laughed at for being handicapped to songs about sleeping on cardboard. Bad things keep coming at the various members but they never let it get them down and remain focused on making a better life for themselves and their families. In one scene, the leader of the band Staff Benda Bilili a street papa called Ricky Lickabu receives a call to say that the shack that he has been staying at has been burned down. He simply turns to the camera and says “these things happen in life”. He is later seen sleeping on the street with his wife and four children.

GB Posters Blog - The Queen

GB Posters are celebrating the Queen's Diamond Jubilee and asked if I could write something for them. I thought about it and asked some people for suggestions and decided I'd write a review of The Queen, a film I hadn't seen but had heard was very good. You can visit GB Posters and see what I thought by clicking on the link below.

http://www.gbposters.com/blog/jubilee-review-the-queen

And you can read my other reviews for the website by clicking on the GB Posters tab on the right of this page.

The Road

"You think I come from another world, don't you?"

In the years following an unspecified apocalyptic event a man (Viggo Mortensen) and his son (Kodi Smit-McPhee) spend life on the road, constantly moving south in search of food and shelter and hoping to avoid bands of hungry cannibals.

I first saw this film in the cinema a couple of years ago and was blown away by its bleakness and beauty. I’ve mentioned before how much I love the look of decaying beauty and there are few films that show that so much as this. The screen is filled with various shades of grey and the sun never shines. The backdrop to the family’s struggle is filled with decrepit landscapes ruined by an unknown catastrophic event. These scenes are further heightened by flash backs to before the event in which Mortensen and his wife Charlize Theron are seen to be enjoying life in a colourful and vibrant world. Other flashbacks show life in the years after the apocalypse during which Theron is pregnant and subsequently where she struggles to deal with her harsh new surroundings.  

Paris, Texas

"You just... disappeared. And now I'm working here. I hear your voice all the time. Every man has your voice"

Four years after going missing Travis Henderson (Harry Dean Stanton) walks out of the vast South Texas desert. After collapsing in a saloon a doctor treats him and discovers his brother’s business card in his wallet. Travis’ brother Walt (Dean Stockwell) flies to Texas to meet his brother and has many questions for him. Travis appears to be mute however and doesn’t eat, sleep or talk for days. When he finally opens his mouth it is revealed that he remembers little about the last four years. Dean takes Travis back to his L.A. home where he and his wife Anne (Aurore Clement) have been looking after Travis’ seven year old son Hunter (Hunter Carson) since Travis’ wife Jane (Nastassja Kinski) left him with them and disappeared herself. Travis has to try and re-assimilate himself back into every day life and reconnect with his young son before setting out to try and find his estranged wife.

In many ways this film reminded me of director Wim Wenders 1976 film Kings of the Road. Both films take place mostly on the road in quiet, almost desolate places with two characters who barely know each other. This film is more about the family unit and loss but is equally as good. The film won the Palme d’Or at Cannes as well as numerous other prizes and it’s fantastic.

Alien Resurrection

"What's inside me? What's inside me?!!"

Two hundred years after the events of Alien 3 military scientists create a clone of Ellen Ripley (Sigourney Weaver) complete with alien embryo growing inside her. After separating the two, the Ripley clone is kept alive for further study. One of the side effects of the cloning is that Ripley’s DNA has been crossed with that of her alien baby and she now possesses super human strength and acidic blood as well as a kind of telepathic link with the aliens. Meanwhile a group of mercenaries arrive aboard the ship carrying a cargo of kidnapped humans which the scientists implant with alien embryos. Unsurprisingly these aliens escape and run amok on the ship causing its remaining crew to run for their lives.

I was massively disappointed with Alien 3 (although FilmsRruss tells me that the Director’s Cut is much better than the theatrical version I saw) and Alien Resurrection seemed to be going in the same direction. I found the first half really boring and actually fell asleep after about 40 minutes. After I resumed viewing however, I really enjoyed the second half.

Men in Black 3

"Just 'cos you see a black man in a nice car, don't mean it's stolen. I mean this one is..."

Ten years after the disappointing Men in Black 2 and fifteen (really!) years since Men in Black, Will Smith and Tommy Lee Jones are donning the black suits and Ray-bans once again. Agent J (Smith) and Agent K (Jones) learn that the alien murdering Boris the Animal (Jermaine Clement) has escaped his maximum security LunarMax prison cell on the Moon, 43 years after K arrested him in Florida. Boris gets hold of a time machine and goes back to 1969 where he murders K. J has trouble understanding what has happened and goes back to 1969 himself where he meets a younger K (Josh Brolin) and the two of them attempt to apprehend Boris before he kills K and sends an army to attack and destroy the Earth.

I’m a big fan of the first Men in Black film and will watch pretty much anything Will Smith is in so I was excited at the prospect of a third instalment of the franchise. Unfortunately I left disappointed. Quality wise this is much closer to Men in Black 2 than Men in Black. My two main problems were that it wasn’t funny enough and that it was really boring. Will Smith is a naturally funny man and has bags of charisma but here his jokes fall flat and he doesn’t seem cool enough. Jermaine Clement, who I travelled over 400 miles round trip to see perform as part of Flight of the Concords was also a little bit disappointing although his accent was very good he was neither funny or scary enough. I only laughed twice and these were both at jokes regarding the differing racial attitudes of the 60s and now. As for the story, yes there are alien bad guys and the threat of the Earth’s destruction and the time travelling stuff was good but I wasn’t gripped.

GB Posters Blog - This is Spinal Tap

GB Posters are having a rock week and asked me to write a rock related blog post. There was only one film that I could write about and that is the masterpiece rockumentary This is Spinal Tap.

Click on the link below to read my Spinal Tap piece and check out GB Posters.
http://www.gbposters.com/blog/blog-spinal-tap

The Champion

Chaplin’s third Essanay picture and he finally appears to have found his feet with the new studio. Chaplin’s tramp, destitute and famished spots a sign offering money to act as a sparring partner. He watches as three men go in before him and return battered and bruised. Chaplin however has a trick up his sleeve or rather in his glove; a lucky horseshoe, which he uses to knock out his larger, more adept opponent. Spotting his potential a trainer prepares the slight Chaplin for a big fight against the champion Bob Uppercut (Bud Jamison) but Chaplin has other things on his mind, namely the trainer’s daughter Edna Purviance.

I was so glad that this film was good. I was really disappointed with Chaplin’s first two Essanay films His New Job and A Night Out. This is a real return to form. The idea was actually taken from a Fred Karno sketch that Chaplin performed before entering the movie industry. Perhaps one of the reasons for the film’s success is that Chaplin knew what he was doing before he went in rather than partially making it up as he went along.

Moonrise Kingdom

"What kind of bird are you?"

It’s 1965 and pre teen pen pals, Sam (Jared Gilman) and Suzy (Kara Heyward) agree to run away from home and meet up a year after meeting for the first time. While the two of them head off into the wilderness of Suzy’s twelve mile long home island a search party that includes Island Policeman Bruce Willis, Scout leader Edward Norton, Suzy’s parents Bill Murray and Frances McDormand and Sam’s fellow Scouts set about trying to hunt the eloping children down in the days preceding a huge storm.

I should say from the outset that I am a huge Wes Anderson fan and have absolutely loved all of his films with the exception of Fantastic Mr Fox so I went in expecting great things. My expectations were matched and even perhaps exceeded. I loved this film. Anderson sets up Suzy’s home life in a fantastic opening sequence which features some exquisite tracking shots through the family home. Before anything is said it is already obvious to the audience that Suzy is a loner who longs for something bigger, something more. Her parents do not get on and are never even seen in the same room, let alone talking to each other. She has three younger brothers who appear to get along very well. Her house is large and well furnished, indicating wealth if not happiness. All of this is established in one long sequence of beautiful camera movements which last no longer than a couple of minutes. Sam’s life with his Scout troupe is shown in a similar manner although it soon becomes apparent that he has already escaped in search of his love, Suzy.