In a New York City
apartment a faint scream can be heard as two friends’ murder a third before
concealing his body inside a large wooden chest placed prominently inside their
living room. The crime is committed moments before people who know the dead man
arrive for a party. Lead conspirator Brandon Shaw (John Dall) commits the
murder as an intellectual exercise in order to prove his superiority over the
dead man and other party guests. Fellow conspirator Phillip Morgan (Farley
Granger) is less confident about the crime and much more conscious of having a
dead body in his midst. Amongst the party guests are the dead man, David’s
parents, girlfriend, ex-classmate and all four friend’s ex-prep school
housemaster Rupert Cadell (James Stewart) of whom Brandon is most wary of being able to
discover the body.
The film comes off like a play and is indeed based on a play
from the 1920s. The entire plot takes place inside one apartment set and mostly
within one room of that apartment. Although characters move about the setting I
don’t think the camera ever leaves the living room. Adding to the sense of
being a play is the editing. The film is shot as though one long, continuous
take though is actually broken up into ten separate takes with each cut being
masked by a man’s jacket moving across the screen or the back of some
furniture. This allowed the director, Alfred Hitchcock the chance to cut scenes
and change the magnificent backdrop which indicates the passing of the day.
It is highly unusual for a murder mystery film to identify
the murderers in the establishing shot. The film isn’t about whodunit though
and is rather about whether they can get away with it. There is no malice or
reason behind the murder except to prove that it can be done. This makes the act
feel even more cold and calculated than a crime of passion or robbery gone
wrong. The murderers even discuss afterwards why they chose David and came up
with no better excuse other than they could. The reaction of the two after the
crime helps to paint a picture of their personalities. Brandon is cool and confident, cocky even,
while Phillip is instantly racked with guilt and fear. These opposing sets of
emotions become even more apparent once the party gets into swing. For the most
part the guests have no idea what has happened and no reason to suspect. There
is much discussion about where David has got to but no one would suspect that
the hosts of a party had murdered one of their friends and then hidden them in
a chest in plain sight. Only James Stewart’s character begins to suspect
something is amiss but plays his cards close to his chest as not to rile the
criminals.
One of the things I loved about this film was the incredible
painted backdrop. It took me a couple of scenes to notice that it was actually
changing in between cuts from a mid afternoon skyline towards a night time
skyline by the end. As well as the huge painting changing colour and shade as
the day draws on, it pops with realism as lights come on, chimneys smoke and
neon’s flash. It’s as close to the real Manhattan
skyline as 1948 would allow without actually being there. The interior of the
apartment is also very well dressed and feels realistic for the period and
social class. The characters are obviously all upper middle class socialites
and talk with that wonderful enunciation of the late 1940s. It feels as though
everyone is talking incredibly fast while in actual fact saying very little and
sentences end with a slight upward inflection which is a joy to listen to,
unlike the hideous valley speak style which has caught on in more recent times.
The acting is excellent from every quarter but Stewart and
Dall stand out. For them the film is like a game of cat and mouse and both
actors play their roles superbly. Other actors bring with them small side plots
which help to flesh out the central plot. I really enjoyed the fizzled out
romance of Kenneth Lawrence (Douglas Dick) and Janet Walker (Joan Chandler).
Both were excellent in their small but vital roles. The film oozes with
Hitchcock’s trademark suspense and this is highlighted in one particular scene
in which Phillip plays the piano to an ever quickening metronome while Cadell
asks him questions about David’s whereabouts. The tension is unbearable before
being finally broken by the entrance of another character. The theme of a
perfect murder also reminded me of another Hitchcock film I saw recently, Shadow of a Doubt. In this thriller two
characters constantly bicker about the perfect way to kill a man without being
caught.
Something of note for me is the relationship between the two
murderers. There are subtle homosexual undertones in their relationship which
is odd for the period. The two young men live together and bicker as though a
couple. Their speech and mannerisms give further weight to the idea and the two
actors themselves were gay in real life. The real crime on which the play and
then film were based was also committed by two men suspected of being lovers.
Rope is another
masterful thriller from Hitchcock, a director who continues to wow me with his
work. The film is full of intrigue and suspense and features a great cast
reading some excellently written lines, all shot in a uniquely clever way.
9/10
I absolutely love this film, it's in my top 5 Hitchcock movies.
ReplyDeleteThe painted skyline is indeed very well made and in the end it helps convey the sensation that the three characters are all exhausted and defeated.
I've also picked up on a slight homosexual undertone which is, as you said, very subtle and not blatant.
Shadow of a doubt is new to me, but it sounds interesting, I'll look it up - thanks for the recommendation.
I enjoyed Shadow of a Doubt but it isn't quite as good as this. I'm coming extremely late to Hitchcok's films but I'm loving discovering them. Thanks for your comment.
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