Neil Jordan’s return to the
vampire thriller feels a bit like a yo-yo. It ranges from excellent while held
in the hand to incredibly dull while close to the ground but spends a lot of
time somewhere in between. To take the analogy a step further, it also contains
anticipation but like a yo-yo, you know where the anticipation is going to
lead. The film portrays two female vampires who land in a small, run down
sea-side town, two centuries after their making. Mother Clara (Gemma Arterton)
works mainly as a prostitute to make ends meet while her gloomy daughter Eleanor
(Saoirse Ronan) struggles to connect with her mother and is lost and lonely
amongst their modern surroundings.
Byzantium
is pitched somewhere between gothic thriller and family drama and doesn’t quite
succeed at either. At its best it’s a poignant coming of age drama but it’s
sometimes painfully slow and meanders between the modern day and early nineteen
century when it might have worked better to stay in one or the other. The film
is host to a wonderful performance from Saoirse Ronan which helps to elevate it
above purely mundane and towards something of interest.
I like the setting for the movie
and think it works well as a metaphor for the duo’s existence. The bulk of the
plot takes place in an English sea-side town which has seen better days. It’s
the sort of place that is stuck in time, a place with a foot in the past but no
future. With its heyday long behind it, it exists as a memory of something now
lost while slowly decaying, each year losing more and more of what made it what
it once was. It’s a town which feels cut off from the rest of the world. The
setting also adds a gloomy, washed out look to the picture which then comes
alive with flashes of deep colour in the flashback sequences.
I really enjoyed the look and
feel of the scenes set in the 1800s. They had a deep gothic, smoky look about
them but were alive with dark but vivid colour. These sequences were also the
most interesting plot wise too. How, why and when the story began was of more
interest to me than how the couple were living in the modern day. That isn’t to
say that the scenes set in the present weren’t without their moments because
occasionally there were great scenes but I found the earlier ones much more worthy
of note. They also tied everything from the modern day together. In comparison
to the thriller aspects of the late Georgian scenes, the modern day scenes
feature more romance. Eleanor meets a boy whom she begins to confide in and for
the first time in two hundred years, she is able to open up to someone and
share her experience. I was less interested in Clara’s modern day story of prostitution.
Saoirse Ronan is sublime in the
role of the younger vampire. She carries a certain amount of melancholy and
feels like a lost maple seed, slowly fluttering towards the ground, hoping to
be carried away on the wind to be re-born. There is also compassion in her
performance and a lot of loneliness. It’s surely only a matter of time before
she takes the step towards major award success. I can think of at least five
superb performances she’s given already and she’s still just nineteen. Gemma
Arterton is solid but suffers next to Ronan who takes the majority of the
limelight. She manages to be both seductive and dangerous though in an almost
femme fetale type of role. She also conveys motherly love well. The supporting
cast includes Sam Riley, Jonny Lee Miller, Tom Hollander and Caleb Landry
Jones, all of whom are good with Hollander and especially Landy Jones standing
out.
Byzantium
is a film that looks fantastic. The differences between operatic gothic style
and decaying beauty are striking but contrast well and the movie is shot in a
simple but attractive way. The acting is great and the story has its moments
but I felt like an uninterested snorkeler at times, occasionally dipping my
head beneath the waves to witness beauty but finding it boring far quicker than
I would have expected to.
6/10
GFR 6/10
Titbits
- Much of the film was shot on location in the sea-side town of Haistings.
- Saoirse Ronan went through twelve weeks of intensive training in order to perform the beautiful but complex Beethoven Sonata.
- This is Neil Jordan's third foray into the undead following High Spirits and Interview with a Vampire.
Liked the review. Most effective I have read about this movie
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