While recently discussing
beautiful actresses for last week’s Six of the Best feature, a friend asked if
Monica Bellucci was in consideration for inclusion on the list. I had to be
honest and say that although I knew the name, I didn’t know what the actress
looked like and couldn’t name any of her films. I was told that she was in the
film Irreversible, that it was
horrible and that I should watch it. Again, like the actress, the film and its notoriety
wasn’t unknown to me but I hadn’t seen it. The following discussion was filled
with reasons as to why I should and shouldn’t watch it and I agreed with my
friend bringing the film to work later in the week. I was warned however that
under no circumstances should I watch it with my girlfriend. I was to wait
until she was out or away or something, but just not in the house. Now I’ve
seen the movie, I’m glad I heeded his advice.
Irreversible is a movie which wants to make you uncomfortable from
the very get go. Its interesting title sequence features back to front wording
which seems to slide off the screen as the ‘camera’ rotates like the hand of a
clock while pulsating, barely audible noise plays over it. This infrasound has
been clinically proven to create anxiety, revulsion and sorrow when played to
humans and it successfully created all three in me. The plot uses a non linear
narrative to tell of two men who attempt to enact revenge after a rape. Beginning
at the end and finishing at the beginning, the film isn’t difficult to
understand and it’s much simpler than the likes of Memento. The structure is fascinating and works really well to
create at times, tension, panic, worry, and towards the end, a welcome sense of
calm coupled with impending dread.
The movie slows as it progresses
in much the same way as a normal A to B narrative will quicken. The film opens
with a flurry of sound and image as the climax is revealed in maddening glory.
The sense of uneasiness is heightened by a tremendously adept but deeply
unsettling cinematographic style which sees the camera swirl around the action
in a way that reminded me of getting into bed after ten pints. The room seems
to spin and it’s difficult to focus on anything and this helps the director to
get away with including some early shocking images from inside a gay night
club. This explicit footage is nothing compared to what is to come though. I
initially liked the style of camera movement but it soon began to irritate me.
I expect that this was intentional and it’s very well done either way. I don’t
know how some of the shots were captured and I’ve never seen camera movement
like it. It was almost like the camera was on a bungee cord that was thrown
around the set although it was positioned with great purpose and was clearly
well planned.
Something else which sows great
craft is the editing. In this department the film reminded me of Hitchcock’s
overlooked masterpiece, Rope. In that
film as with this, the editing is done in a seamless manner and cuts are
difficult to spot. Because of the wild and seemingly uncontrolled camera
movement, the director and his editor can cut frames and scenes without the
viewer necessarily spotting it. This creates scenes which last a long time and
look as though they were impossible to shoot. There are only fifteen scenes in
the whole movie, a number which would usually indicate something slow and
tender but for the most part this is anything but. At times, in the early
stages of the film I was reminded of a modern, post Bourne action movie. The erratic camera and quick movement feels
like a forbear of the current shooting methods of action genre.
Because you see the film in
reverse, you’ve often already seen the after effects of a scene or conversation
as you’re witnessing it. This creates a sense of tension and dread as you sit
powerless on your sofa, watching something you have no control over. In a way
it creates a sense of guilt inside the viewer’s own head as although you have
no power to stop what is about to happen, you’ve seen where it’s going and feel
somehow complicit. It’s a very clever idea which adds even more to the uneasy
feeling that the film creates. The ebb and flow of scenes is also very well
handled as they build and fall in and unsettling order. Often having just seen
something horrific, you are taken to the beginnings of a scene that
chronologically precedes it where all is calm and the characters are happy.
This again is unsettling and saddening as you know what is down the line for
the character.
There were three moments in the
film’s ninety-seven minutes that I couldn’t bare to watch. These included the
very final frames in which a strobe effect is placed on the screen after a
final fade to white as though to say “Yeah, you thought we were done? Well how
about this!” After a slightly calmer closing than opening, this was a final
thrust of the hammer to my already battered head. Earlier though, there is much
worse. The first time I was unable to watch was during a scene that involved a
fire extinguisher. The noise alone was enough for me and as soon as I saw what
was coming, my eyes involuntarily closed, opening after each crunch before
closing milliseconds later. I did peak a look at the results of this scene and
it was one of the many images that made my stomach turn.
The film’s most infamous scene is
the prolonged and extremely violent rape scene. As I’ve already mentioned, this
was what I knew the film for and the movie builds up to it from both it’s start
and finish in such a way that you can’t escape it. It’s hard to describe the
scene but all I can say is that it looks incredibly realistic and is deeply
harrowing. Both actors are superb but you forget they are actors while
watching. It’s one of the most miserable and disheartening things I’ve ever
witnessed and had I known just how brutal the scene was, I don’t think I would
have watched the movie. The scene in The Girl With a Dragon Tattoo looks like Finding
Nemo compared to the viciousness and ignobleness of this.
What makes it all the worse is
the beating that follows. All the way through the vile act you know that it’s
coming because you’ve already seen what comes next and it was this kicking and
punching which marked the third occasion that I had to turn away from the
screen. The rape scene also marks a pronounced change in the cinematography from
the quick, stirred up camera work from before to a more still and measured
style. The rape scene feels so still compared to what precedes it and this
makes watching it all the worse. I actually turned the volume down on the TV
during this scene in case any neighbours heard what I was watching.
The film features some incredible
acting from Bellucci and Vincent Cassell in particular. Monica Bellucci acts in
what must be some of the most difficult scenes ever committed to film. She is
believable in the horrific scenes but also really sweet and coy in later
scenes. Her character is really likeable and fun which makes everything else
much worse. She has great chemistry with her co-star and it didn’t surprise me
to read that the couple were married at the time of shooting and remain so to
this day. Few people can match Vincent Cassell for intensity and he shows it
here. In the early scenes he’s like a whirlwind, a man possessed. He’s violent,
cruel and unflinching in his quest for revenge which plays totally opposite to
the adorable man of the latter scenes. He’s also great at the party, again
showing another side to himself. Compared to the other two leads, Albert
Dupontel fades into the background slightly but he is a calming influence on
some of the more on edge scenes.
I’m still unsure as to whether
I’m glad I’ve seen Irreversible.
While it undoubtedly features the cinematic craft at its height, it’s also
without a doubt the most uncomfortable viewing experience of my life so far. At
times I hated the film and the way it made me feel but I can’t deny that its
effect on me wasn’t entirely bad. I don’t feel uplifted and I feel dirty and
grubby but I feel better for watching it in that I have seen something uniquely
disgusting and doubt I’ll ever see anything to match it again.
7/10
After I watched this movie I could not sleep for a week. This effected me Strongly, but I love the way you talk about the cinematography, the editing and the acting with great admiration because they are all great. Difficult to watch. Hell yes, but a very well done movie that never once felt expolitive. Great review
ReplyDeleteI didn't think about its expliotative nature but you're right, it avoids it altogethe. II'm not surprised you struggled to sleep. I can't get it out of my mind.
DeleteA devastating and polarizing film if there ever was one, but I must admit that I truly value this movie. It is so aware of its intention and, as a result, has a purposeful effect. Now, I definitely can't argue with anyone who detests that effect, but I am utterly fascinated by it.
ReplyDeleteSounds like you're on the fence about the movie. That is definitely fair enough. But I'm glad you were able to appreciate other aspects of it. A damn tough one to stomach.
Yeah, I'd say I'm on the fence. I can appreciate what it was trying to do but didn't enjoy watching it. On a purely technical level it's excellent.
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