Bronson

"You don't want to be trapped inside with me sunshine. Inside, I'm somebody nobody wants to fuck with do you understand? I am Charlie Bronson, I am Britain's most violent prisoner."

Bronson is a biopic of Charles Bronson, real name Michael Peterson, Britain’s most famous prisoner. After being sent down for seven years in 1974 for armed robbery, Bronson got a name for himself by attacking guards, prisoners and holding hostages. This film starts Tom Hardy in the title role and takes place mostly during his incarcerated life (38 years and counting) but also briefly touches on his childhood and a brief stint of freedom. The narrative uses both a traditional plot account and a sort of talking head from Bronson in which he comments on various parts of his life from the present. There are also some quite superb and eccentric scenes in which Bronson is on stage, performing to an audience.

I’d seen this film upon its release in 2008 and had bought the blu-ray in about 2010 but hadn’t watched it again until last night when we had some friends visiting. I remember being blown away by the violence and Tom Hardy’s performances back in 2008 but don’t remember laughing so much. This film is funnier than the majority of mainstream Hollywood comedies.

Work

Izzy Wake (Charles Inslee) a paperhanger and his assistant (Charlie Chaplin) slowly make their way to the house of Billy Armstrong and Marta Golden where they are due to hang wall paper. After experiencing difficulty even getting to the house, once they get there things go from bad to worse.

This film made me laugh, a lot, but overall it was messy – much like the on screen action. I didn’t really get any sense of who any of the characters were and to be honest apart from inhabiting the house at the centre of the story, Billy Armstrong and Marta Golden’s characters weren’t really necessary. They and Leo White were only really used during the films frenetic ending which is somewhere between a chase and a farce. That being said, there is still much to like about this Chaplin Essanay effort.

Beetlejuice

"Beetlejuice, Beetlejuice, Beetlejuice"

A young couple (Alec Baldwin and Geena Davis) are driving back from town one day when they crash their car and die. It takes them a while to realise though as they end up back in their house but with a new family, father (Jeffrey Jones), Step-mum (Catherine O’Hara) and Goth Daughter (Winona Ryder) moving in. As they become aware of their death they try to haunt the family in order to get them to leave but despite turning to the ‘Handbook for the Recently Deceased’ for help, they are unable to be seen. Instead they turn to a bio-exorcist called Betelgeuse, a crazed, perverted and unstable dead man who agrees to help scare the family off.

Unbelievably I’d never seen this film before having confused it in my head with Candyman, a film I saw aged about seven which caused nightmares for months. I’m so glad I’ve finally watched this bizarre comedy/horror. The film contains everything that the best Tim Burton films do; odd characters and locations, unusual and distinctive sets and darkly comic plotlines.

Red Lights

"How did you know that?"

"I'm psychic"

Psychologist and paranormal investigator Dr. Margaret Matheson (Sigourney Weaver) and her assistant Dr. Tom Buckley (Cillian Murphy) a physicist travel around debunking supposed paranormal activity from bumps in the night to stage psychics. Dr. Buckley wants to investigate their most challenging person to date, Simon Silver (Robert De Niro), a redound psychic who is making a comeback after a thirty year absence from the stage. Dr. Matheson warns Buckley against this though after having come up against him in the 1970s and failing to prove him a fraud. With the help of student Sally Owen (Elisabeth Olsen) Buckley defies Matheson and begins investigating the illusive Silver.

As a radical atheist and sceptic the film’s ideas appealed to me. I was delighted to watch the scientists make fun of and debunk people who claim to see ghosts and be able to read minds. The script treats these people with distain and isn’t afraid to mention how these people can be responsible for giving stupid people false hope and can even cost lives. The cast is also amongst the best of any film this year. With actors such as Signourney Weaver, Cillian Murphy, Toby Jones, Joely Richardson, the delightful Elizabeth Olsen and my all time favourite actor Robert De Niro, anything less than a great film would be a disappointment. Well, this isn’t a great film but it isn’t terrible either.

Abraham Lincoln Vampire Hunter

"However history remembers me before I was a President, it shall only remember a fraction of the truth..."

In 1818 a young boy by the name of Abraham Lincoln (Benjamin Walker) witnesses his mother’s murder and vows to get revenge on the man who took her life. In his late teens he finally plucks up the courage to enact his revenge but when he fires a pistol at the head of the assassin, the man simply gets back up and attacks the young Lincoln. The young man is saved by a strange man called Henry Sturgess (Dominic Cooper) who tells the future President about the existence of vampires and teaches him the art of killing them. Lincoln dedicates his life to the destruction of vampires but finds in later life that words and deeds outweigh the power of his axe and he eventually becomes a Lawyer and later President of the Union. During his Presidency the vampire rich South declares war on the North in the hope of creating a nation for vampires.

This film is a case of a title that is better than the movie. The idea behind it sounds great; that one of America’s most beloved Presidents was also secretly a Vampire Hunter, but the execution doesn’t live up to the premise. I’ve recently read books about the American Civil War and Lincoln’s assassination so probably know more than the average Brit about the President and this period of America’s history and there were nice details, incidents and characters taken from the period and Lincoln’s life that were included to give a bit of authenticity to the story. The truth, with the added inclusion of vampires could have created a really good film but alas it is not.

Rock of Ages

"This place is about to become a sea of sweat, ear-shattering music and puke"

In 1987 Sherrie (Julianne Hough) sets off from her home in Oklahoma towards L.A with dreams of rock stardom. Almost as soon as she arrives she is mugged and helped by Drew (Diego Boneta) who works at the Bourbon Room, a Sunset Strip rock club. Sherrie gets a job at the club and she and Drew begin a relationship while both dreaming of becoming singers. Meanwhile the club’s owner Dennis (Alec Baldwin) and his right hand man Lonny (Russell Brand) are struggling to keep the club open amid protests from the Mayor’s wife Patricia Whitmore (Catherine Zeta-Jones). Rock legend Stacee Jaxx (Tom Cruise) of the band Arsenal is due to perform at the club with the hopes of beginning a solo carer, if he can get his head back in the game long enough to do so.

I’d read mixed reviews before seeing this film but I’m a fan of a lot of 80s rock music, from Iron Maiden to Metallica to Blue Cheer via Motley Crue, Motorhead and Pantera. Unfortunately this is not the sort of rock music you get with Rock of Ages. Instead you end up with the likes of Bon Jovi and Journey. This is not the type of music I enjoy, especially when the lyrics are used in place of dialogue in an annoying coming of age story. This film is about as much rock n’ roll as a jam sandwich with the crusts removed.

GB Posters Blog - Sam Raimi's Spider-Man

Elaine over at GB Posters asked me to write something about Raimi's Spider-Man trilogy in the build up to the release of The Amazing Spider-Man and below is a link to my piece. 

 http://www.gbposters.com/blog/spiderman-the-trilogy

You can read what I thought about each film in more detail by clicking on the links below.

Spider-Man
Spider-Man 2
Spider-Man 3

Spider-Man 3

"Everybody needs help sometimes Peter, even Spider-Man"

The final part of Sam Raimi’s Spider-Man trilogy finds Peter Parker finally enjoying life. Things are going well for him; he’s top of his class, closer than ever to MJ and still has time to fight crime as Spider-Man. If anything Peter has become over arrogant with his all round success and this comes back to bite him when an extra terrestrial parasite which amplifies the characteristics of its host attaches itself to Peter and turns his Spidey suit black. Now more cocky and arrogant than ever Peter has little time for MJ and they drift apart. At the same time an escaped criminal accidentally ends up in a particle accelerator filled with sand. The sand fuses with his body and turns him into the Sandman – Spider-Man’s latest nemesis.

This is generally regarded to be the worst of the Raimi Spider-Man films but personally I’d put it second, slightly ahead of Spider-Man While there is an enormous amount wrong with the film, I actually think that the story is the strongest of the three. I like how the film looks at Peter Parker’s psychological state and how the alien parasite is able to effect how and who he is. His relationship with Mary Jane becomes fractured after ending on a high in Spider-Man 2 and this creates plenty of drama and commotion. Add this to Harry’s ever growing disdain for Spider-Man and you have the makings of a decent plot. As a result of focussing more on Parker/Spider-Man’s turmoil, the villain characters suffer a little and the Sandman’s back-story is only briefly touched upon. Venom is only really seen in a few scenes as an arrogant up and comer before becoming a super villain.

Battle: Los Angeles

"Now you got three hours to get your ass back before those bombs drop, and make no mistake THEY WILL DROP! with... or without you"

Staff Sergeant Nantz (Aaron Eckhart) is on the verge of retiring from the US Marines when he gets called back into action one last time to help repel an alien attack on L.A. What scientists first suspect to be meteors turn out to be the ships of an unidentified species of alien who intend to colonise the Earth and drain its resources. Under the leadership of an untested Lieutenant and with a squad of Marines who don’t trust him, Nantz must help a band of civilians to escape Santa Monica before it is blown up by the Air Force.

This is a film with a multitude of problems which start with the character introductions. For a start there are too many, all introduced with a minute or two of back story. They are all stock characters which have been seen a thousand times. We have the guy who’s getting married, the untested Officer, the guy whose brother was killed, the guy in therapy, the guy from New Joizey, the guy from Texas and perhaps more unusually the guy from Nigeria who enlisted for citizenship. I couldn’t tell you any more about the characters than that and never really cared for any of them. Later they are joined by a female Air Force (pilot? I think) (Michelle Rodriguez) along with five civilians, three of which are children.

By the Sea

While on a windy beach The Tramp (Charlie Chaplin) turns his attention to two married women and ends up getting in trouble with their husbands. This film feels like a bit of a step back after Chaplin’s previous films. It feels much closer to His New Job than the likes of The Champion or The The Tramp in that it is a knockabout comedy and a farce which lacks character development. Despite this there is still much to like.

I especially enjoyed Chaplin’s use of string attached to his jacket and hat which stops his hat blowing away in the wind. It’s a great idea and it’s almost a shame it didn’t catch on! The idea is used successfully in a couple of ways; Firstly in a scene in which Chaplin and Billy Armstrong get their strings intertwined and end up tangled up and inevitably fighting and in a second scene while trying to woo Bud Jamison’s wife. In this scene Chaplin manipulates the string behind his back to make it seem as though the hat is jumping off his head. It’s a simple, clever and very funny idea.

Apart from those two examples and a brief fight involving ice creams there isn’t much else of note in this film. There are of course Bud Jamison’s over the top eyebrows and the background setting of an almost deserted Los Angeles beach is quite interesting but compared to Chaplin’s later films this feels a little weak.

5/10