Paris, Texas

"You just... disappeared. And now I'm working here. I hear your voice all the time. Every man has your voice"

Four years after going missing Travis Henderson (Harry Dean Stanton) walks out of the vast South Texas desert. After collapsing in a saloon a doctor treats him and discovers his brother’s business card in his wallet. Travis’ brother Walt (Dean Stockwell) flies to Texas to meet his brother and has many questions for him. Travis appears to be mute however and doesn’t eat, sleep or talk for days. When he finally opens his mouth it is revealed that he remembers little about the last four years. Dean takes Travis back to his L.A. home where he and his wife Anne (Aurore Clement) have been looking after Travis’ seven year old son Hunter (Hunter Carson) since Travis’ wife Jane (Nastassja Kinski) left him with them and disappeared herself. Travis has to try and re-assimilate himself back into every day life and reconnect with his young son before setting out to try and find his estranged wife.

In many ways this film reminded me of director Wim Wenders 1976 film Kings of the Road. Both films take place mostly on the road in quiet, almost desolate places with two characters who barely know each other. This film is more about the family unit and loss but is equally as good. The film won the Palme d’Or at Cannes as well as numerous other prizes and it’s fantastic.

Alien Resurrection

"What's inside me? What's inside me?!!"

Two hundred years after the events of Alien 3 military scientists create a clone of Ellen Ripley (Sigourney Weaver) complete with alien embryo growing inside her. After separating the two, the Ripley clone is kept alive for further study. One of the side effects of the cloning is that Ripley’s DNA has been crossed with that of her alien baby and she now possesses super human strength and acidic blood as well as a kind of telepathic link with the aliens. Meanwhile a group of mercenaries arrive aboard the ship carrying a cargo of kidnapped humans which the scientists implant with alien embryos. Unsurprisingly these aliens escape and run amok on the ship causing its remaining crew to run for their lives.

I was massively disappointed with Alien 3 (although FilmsRruss tells me that the Director’s Cut is much better than the theatrical version I saw) and Alien Resurrection seemed to be going in the same direction. I found the first half really boring and actually fell asleep after about 40 minutes. After I resumed viewing however, I really enjoyed the second half.

Men in Black 3

"Just 'cos you see a black man in a nice car, don't mean it's stolen. I mean this one is..."

Ten years after the disappointing Men in Black 2 and fifteen (really!) years since Men in Black, Will Smith and Tommy Lee Jones are donning the black suits and Ray-bans once again. Agent J (Smith) and Agent K (Jones) learn that the alien murdering Boris the Animal (Jermaine Clement) has escaped his maximum security LunarMax prison cell on the Moon, 43 years after K arrested him in Florida. Boris gets hold of a time machine and goes back to 1969 where he murders K. J has trouble understanding what has happened and goes back to 1969 himself where he meets a younger K (Josh Brolin) and the two of them attempt to apprehend Boris before he kills K and sends an army to attack and destroy the Earth.

I’m a big fan of the first Men in Black film and will watch pretty much anything Will Smith is in so I was excited at the prospect of a third instalment of the franchise. Unfortunately I left disappointed. Quality wise this is much closer to Men in Black 2 than Men in Black. My two main problems were that it wasn’t funny enough and that it was really boring. Will Smith is a naturally funny man and has bags of charisma but here his jokes fall flat and he doesn’t seem cool enough. Jermaine Clement, who I travelled over 400 miles round trip to see perform as part of Flight of the Concords was also a little bit disappointing although his accent was very good he was neither funny or scary enough. I only laughed twice and these were both at jokes regarding the differing racial attitudes of the 60s and now. As for the story, yes there are alien bad guys and the threat of the Earth’s destruction and the time travelling stuff was good but I wasn’t gripped.

GB Posters Blog - This is Spinal Tap

GB Posters are having a rock week and asked me to write a rock related blog post. There was only one film that I could write about and that is the masterpiece rockumentary This is Spinal Tap.

Click on the link below to read my Spinal Tap piece and check out GB Posters.
http://www.gbposters.com/blog/blog-spinal-tap

The Champion

Chaplin’s third Essanay picture and he finally appears to have found his feet with the new studio. Chaplin’s tramp, destitute and famished spots a sign offering money to act as a sparring partner. He watches as three men go in before him and return battered and bruised. Chaplin however has a trick up his sleeve or rather in his glove; a lucky horseshoe, which he uses to knock out his larger, more adept opponent. Spotting his potential a trainer prepares the slight Chaplin for a big fight against the champion Bob Uppercut (Bud Jamison) but Chaplin has other things on his mind, namely the trainer’s daughter Edna Purviance.

I was so glad that this film was good. I was really disappointed with Chaplin’s first two Essanay films His New Job and A Night Out. This is a real return to form. The idea was actually taken from a Fred Karno sketch that Chaplin performed before entering the movie industry. Perhaps one of the reasons for the film’s success is that Chaplin knew what he was doing before he went in rather than partially making it up as he went along.

Moonrise Kingdom

"What kind of bird are you?"

It’s 1965 and pre teen pen pals, Sam (Jared Gilman) and Suzy (Kara Heyward) agree to run away from home and meet up a year after meeting for the first time. While the two of them head off into the wilderness of Suzy’s twelve mile long home island a search party that includes Island Policeman Bruce Willis, Scout leader Edward Norton, Suzy’s parents Bill Murray and Frances McDormand and Sam’s fellow Scouts set about trying to hunt the eloping children down in the days preceding a huge storm.

I should say from the outset that I am a huge Wes Anderson fan and have absolutely loved all of his films with the exception of Fantastic Mr Fox so I went in expecting great things. My expectations were matched and even perhaps exceeded. I loved this film. Anderson sets up Suzy’s home life in a fantastic opening sequence which features some exquisite tracking shots through the family home. Before anything is said it is already obvious to the audience that Suzy is a loner who longs for something bigger, something more. Her parents do not get on and are never even seen in the same room, let alone talking to each other. She has three younger brothers who appear to get along very well. Her house is large and well furnished, indicating wealth if not happiness. All of this is established in one long sequence of beautiful camera movements which last no longer than a couple of minutes. Sam’s life with his Scout troupe is shown in a similar manner although it soon becomes apparent that he has already escaped in search of his love, Suzy.

The Girl with a Dragon Tattoo

"Why would they remake something when they can just go see the original?" - Niels Arden Oplev

Mikael Blomkvist (Daniel Craig) is a journalist who works for Millennium Magazine in Sweden. He has recently lost a libel case bought against him by a crooked businessman. Retired businessman Henrik Vanger (Christopher Plummer) asks computer hacker Lisbeth Salander (Rooney Mara) to do some background research on Blomkvist before asking the journalist to help him uncover the mystery surrounding his niece’s disappearance in the 1960s. Blomkvist accepts the challenge and begins work on a small island inhabited by many of the Vanger family. Salander, after going through unbelievable hardships is eventually tracked down by Blomkvist and agrees to help him with the case. The two of them attempt to get to the bottom of the mystery but end up uncovering much more.

This is a good film but I have many problems with it. The first and most major problem is that there is no reason for its existence. The novel The Girl with the Dragon Tattoo was made into an excellent feature film (review here) in 2009 and this version brings nothing new to the table except that it is in English for all the stupid/lazy tw*ts who can’t be arsed reading subtitles. I do not see the point in making this film other than to fill the pockets of Hollywood and to further dumb down English speaking audiences. It isn’t even as though the Swedish version is difficult to come by. I spotted it in my local HMV for less that £5 just a few days ago. It. Is. Pointless.

A Night Out

Charlie Chaplin’s second film for Essanay saw him move production to their Californian studios for the first time. Chaplin and Ben Turpin are on a night out and end up getting very drunk. They go to a nice restaurant where they cause trouble for a smartly dressed gentleman. The head waiter arrives and throws the pair out but not before Chaplin has caught sight of the waiter’s girlfriend Edna Purviance. Back at their hotel Chaplin and Turpin bump into Purviance once more and again cause trouble for themselves and get thrown out of their hotel. Onto another hotel and Chaplin alone this time meets Purviance again, but will the waiter get in the way of his affections?

This film is a bit of a mess, though it isn’t easy to say to what extent this is Chaplin’s fault and how much time is to blame. The version I saw seems to have been made up of three or four different copies and as a result it changes from black and white to sepia and back quite often. The editing is also pretty poor, often cutting away in the middle of a gag. The story also makes little sense and Turpin just disappeared altogether half way through the film. Most of the gags are simple door in face or fist in face sort of things which is a shame.

Alien 3

"Don't be afraid. I'm part of the family"

Ripley (Sigourney Weaver) is back in stasis aboard the Sulaco when a fire causes the escape pod to separate from the ship and she crash lands on Fiorina ‘Fury’ 161, a penal colony inhabited only by men. Ripley’s fellow Aliens survivors all die in the crash, leaving her alone and stranded in the prison. Unfortunately for Ripley and the prisoners, an alien face hugger was on board the pod and has also survived the crash.

While I’ve been watching the Alien franchise for the first time over the last few weeks I’ve been told by numerous people that Alien 3 was by far the weakest of the series. So far, I’d have to agree. The film entered production without a completed script and the messiness of the film is some testament to that. It feels as though the film doesn’t know what it wants to be. It is less scary than even Aliens but has a bit more of a dramatic quality than Alien. The film also appears to introduce a comic element to the series but this fails miserably. The story feels incoherent and the characters are barely written. In both previous instalments the large cast always felt well written and as though they were rounded characters. In Alien 3 the majority of them appear to be just cannon fodder. The only new character that I cared a little about was killed off within the first half.  

His New Job

Chaplin’s first Essanay Picture was released in February 1915. Chaplin is at a film studio looking for a job. After several bits of humorous business he is hired as an extra but after being a nuisance on set is instead demoted to Carpenter’s Assistant. Through a mixture of wit and luck, Chaplin regains his position in front of the camera and ends up accidentally wearing the lead actor’s costume. All hell breaks loose when he arrives on set to find Chaplin in his clothes and Chaplin again uses a mixture of wit, luck and this time also violence to continue in his job and get revenge on several characters who had wronged him.

The film marks not only Chaplin’s first film with Essanay but also his first with fellow comic actor Ben Turpin. The two share a couple of great scenes together, the first of which involves a fight to get through a door and is excellent. It’s such a shame that the two actors couldn’t find a way to work together because on screen at least, they made a great partnership. Unfortunately a mixture of Turpin’s impatience with Chaplin’s methodical methods and Chaplin’s jealousy of Turpin’s ability to get laughs, their partnership went no further.