In typical Woody Allen fashion, Hannah and Her Sisters is a comedy-drama that intertwines several
stories from a large cast. The plot centres around three sisters and their
often interconnecting relationships. Hannah (Mia Farrow) is a successful Actress
and married to financial advisor Elliot (Michael Caine) who in turn is
infatuated with Hannah’s sister, Lee (Barbara Hershey). Lee is in a relationship
with a reclusive artist named Frederick (Max von Sydow) but begins to realise that
she too has feelings for Elliot. The third sister Holly (Dianne Wiest) is an unsuccessful
Actress who is recovering from a cocaine addiction. The final piece of the
jigsaw is a hypochondriac TV Producer and Hannah’s ex-husband Mickey (Woody
Allen) whose philosophy on life changes as the plot progresses due to the
sudden realisation that he will one day die.
The film is set over a two year period but also contains
flashbacks to times before the narrative began to contextualise certain
relationships. Voice over from several of the actors provide the audience with
access to the characters inner thoughts as the merry go round of associations and
affairs slowly unfolds. The film is witty and sometimes interesting but for a
fairly short film, it felt long and sometimes tedious.
Woody Allen is renowned for creating stories with large
casts and intertwining and interconnecting ideas and plots and Hannah and Her Sisters is one of the
better examples of this. The cast is fabulous, featuring not only those
mentioned above but also Carrie Fisher, Maureen O’Sullivan, Lloyd Nolan, Daniel
Stern, Julie Kavner, Bobby Short, John Turturro, Sam Waterston and a very young
Julie Louis-Dreyfus. The film manages to contain all of these great actors and
provides them with a juicy story that they are able to get their teeth into. As
I mentioned in my opening though, for me the film felt a little long which is
odd as it’s only 106 minutes. Despite the interesting and conflicting arcs of
the various characters, I was beginning to get a little bored by the end.
The film was nominated for seven Oscar’s, winning three.
Allen won for Best Screenplay which isn’t a surprise as the dialogue is witty, existential,
emotional and tight. The story itself is, as I’ve mentioned, multi layered but
personally not to my taste. The other two awards went to actors Michael Caine
and Dianne Wiest. These I find a little more surprising. They were both fine
performances but neither struck me as particularly special. That being said,
Michael Caine was very good. Wiest though didn’t really stand out above the
other female leads for me and if anything I thought that Barbara Hershey did a
better job. I’ve said this before in my review of Boxcar Bertha but she has a quality to her that you can’t help but
be infatuated by. She isn’t the prettiest woman but has something about her
that makes you smile. She was a good choice for Michael Caine’s muse. On the
acting front I also thought that Max von Sydow was very good, although I can’t
help but see a little of myself in his arrogant, grumpy and cynical character. Woody
Allen plays the Woody Allen character and is on top form here too.
One of the stars of the film is New York City itself. Regular readers will
know how much I love the city and the film perfectly captures it at a critical
moment in its history, before the cleanup of the 90s and the mass influx of
chains around the same time. The characters walk the grimy streets, passing
small, independent shops and graffiti strewn walls and this provides a gorgeous
backdrop. Watching films like Hannah and
Her Sisters makes me wish I could have seen the city during the 1970s and
80s so I too could experience its beauty, dirt and decay. One of the characters
in the film is an architect who takes us Carrie Fisher and Dianne Wiest on a
tour of the city to see some of its most interesting architecture. I enjoyed
this sequence a lot and it also ended in a great scene where both women try to outmanoeuvre
the other for the man’s affections. Another highlight of the film is the
soundtrack. Allen is a huge fan of Jazz and this movie features a great
Jazz-Swing soundtrack which accompanies the middle class problems of the New
Yorkers it follows.
Overall I enjoyed the sights and sounds of Hannah and Her Sisters and was only put
off by the plot, which strangely I also enjoyed in parts.
7/10
Good review Tom. One of Wooody's better attempts during the 80's as he is able to get all of these stories together in perfect fashion, while also being able to focus on some real-life situations people go through like adultery and being broke. It's also a perfect acting showcase for Michael Caine as I think he totally deserved that Oscar he got.
ReplyDelete