Hunger is the debut film from Steve McQueen who subsequently
ruffled feathers and opened eyes with his second film Shame. Hunger is perhaps
more controversial and certainly more harrowing than its follow up but no less
great. It depicts the final few months in the life of famous IRA prisoner Booby
Sands (Michael Fassbender) who died on hunger strike in Maze Prison in 1981.
The film is a stark and sparse piece which provides little entertainment. It’s
one of the most shocking films I’ve seen in recent months and is yet another
example of cinema making me feel shitty about being British.
The film takes its time to
introduce its central character and opens instead with a Prison Officer before
taking us inside the cell of a newly incarcerated IRA prisoner who we follow
through several months of a ‘no wash-blanket’ strike in which IRA prisoners who
are being denied political status for their crimes, refuse to wash, shave or
wear prison uniforms. The conditions inside the cells are enough to churn your
stomach as you witness two men in cramped conditions, smearing faeces over
their walls in protest. Their treatment at the hands of the guards is equally
shocking and terrifying. When I watch films about the holocaust I find it hard
to believe that those events happened, never mind so recently and while the
stories depicted in Hunger are in no
way as severe, I had a similar reaction to them. How could something like this
have happened so recently, and in my own country no less?
It’s unsurprising that in the aftermath
of Bobby Sands death in 1981 that the IRA experienced a huge recruitment surge.
I’m English and have no strong opinions on Northern Ireland and almost felt
like joining up myself after watching this film. It’s a film that makes you think
and puts you in the minds of its characters, helping you to understand their
views and why they are doing what they are doing. There is a tremendous scene
around half way through the movie in which Sands sits down with a Priest (Liam
Cunningham) to discuss ‘the troubles’, life, politics and the idea of the
hunger strike. The scene is like nothing else I’ve ever seen and runs unbroken
for 17 minutes with a single unmoving camera capturing the dialogue. It’s a
bold decision for a film produced in the time of fast cutting, multi camera,
CGI films but the depth and subject matter of the dialogue, as well as the
performances make it as watchable as anything mainstream Hollywood is capable
of producing and much more arresting and emotive.
The long single take is the polar
opposite of earlier scenes in which very little dialogue is spoken for large
chunks of the film. Inside the cells, life is mostly quiet and still, albeit
for the shit smeared walls and occasional plotting. This itself works against
the scenes outside the cells in which the prisoners are forcibly shaved,
sheared and washed while routinely beaten. The film manages to create scenes of
absolute stillness alongside chaos and finds a balance between the two which is
unflinching. Hunger is the sort of
film which will stay with you for a long time.
Towards the latter stages we
watch transfixed at seemingly impossible images of Fassbender’s withering body
as he enters the final stages of life. The images are as shocking as anything
you’re likely to see and I don’t know how he managed to become so thin without
seriously damaging his internal organs. His performance is spell binding though
and despite the grizzly images, I wasn’t able to take my eyes off the screen,
in the same way that one is glued to twenty four hour rolling news coverage of
a stand off between police and outlaws. You know what you’re going to see won’t
be pretty but you can’t help but watch.
Hunger is a difficult film to put into words but it is the sort of
film which will affect its audience. You won’t leave the film with a smile on
your face and both my girlfriend and I saw for a few moments in stony silence
as the credits rolled. It’s deeply shocking and unflinchingly honest in its
depictions of life inside Maze Prison and like so many other films which shock,
it throws light on a topic which many people have heard of but few truly know
about or understand. It’s a difficult watch but something that should be seen.
8/10
GFR 7/10
Titbits
- To perfect the 17 minute scene mentioned above, Liam Cunningham briefly moved in with Fassbender so the two could practice the scene up to fifteen times a day.
- The movie won the Camera d'Or at Cannes.
- Fassbender's crash diet was medically monitored but no less shocking for it.
Such a great film. I really liked how the story doesn't deeply get into the politics of it all, but rather looks at, through the lens of all those closely involved with, the events that led up to this historical hunger strike.
ReplyDeleteIt manages to remain fairly unbiased. Even so, it didn't make me feel very good to be British!
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