A couple of Christmases ago I took a punt on a film I knew
very little about on a trip to our local, and excellent, Art House Cinema;
Cornerhouse in Manchester.
The film was Rare Exports and the
gamble paid off. Rare Exports is the
sort of oddly engaging and original film which only comes around a couple of
times a year. The story was daring and unique and the acting, cinematography
and direction were all excellent too. Fast forward almost exactly two years and
I watched the film for a second time and while I still enjoyed the unusual Fairy
tail like story and darkly comic script, some of the shock and awe which
accompanied my first viewing had dissipated.
On the Finnish side of the Finland-Russia border, high in
the Arctic Circle, a team of foreign scientists
and excavators are carrying out experiments on top of a mountain which
overlooks a small village home to Pietari (Onni Tommila) and his father Rauno (Jorma
Tommila). The head of the excavation one day announces that they have unearthed
the largest burial mound on the planet, something which Pietari believes may be
the final resting place of Santa Claus, and not the Americanised Coca-cola
Santa but the original, child eating Santa. Pietari’s suspicions begin to take
further shape when first all the Reindeer are found slaughtered and then the
local children begin disappearing.
Rare Exports
really is the sort of film which could only be made far from Hollywood. Its uncompromising story which is
based on local myth and legend is great fun and something which I found really
interesting although the myths themselves aren’t deeply delved into and are
generally only hinted at. The isolation of the community works in the film’s
favour and helps to give it an almost Sci-Fi feel in the vein of something like Alien or perhaps more accurately The Thing. You know that there is no
chance of outside help. It’s up to you and you alone. Unlike those
aforementioned films though it isn’t really a horror, in fact it’s quite
difficult to put the film neatly into one genre. There are occasional horror
tropes but it’s never really scary. There is action towards the end and a
little drama but for me Rare Exports
is a pitch black comedy. I remember laughing a lot during that original watch,
although less so the second time around.
The setting, as well as being isolated is incredibly
beautiful. Shots from the top of the mountain are especially stunning, allowing
for panoramic views of the surrounding snow topped peaks. It’s difficult to fit
an accurate time to the film as the clothes worn by the characters have a
distinctly 1980s feel to them though that might just be a result of the
isolation. The setting makes sure that men are men and in fact there are no
women in the entire film. The manly location of the film creates a tension
between the slightly weedy Pietari who still carries a teddy and his ultra
macho, hunting, butcher father. This dichotomy gives scope for a third act turn
around and it is indeed Pietari who becomes the hero of the piece. His sudden
change of characteristics felt a little rushed and unlikely though.
Overall Rare Exports
is a unique and fun film which features an unusual story that offers an
alternative to the glittery, overly stodgy, crass, vomit inducing, Vince
Vaughn, let’s all get along, eggnog, middle of the road Christmas Movie.
Considering its budget it is very well made and darkly funny in places. It’s
also short enough to enjoy while the kids are destroying their new toys
upstairs or your Nan is having her post Turkey nap.
7/10
I really enjoyed this movie, but I agree with your review. It does loose some of it fizzle after you first see it. Have you seen the original short films of Rare Export? They are actually quite good.
ReplyDeleteTo be honest until this morning I didn't realise there were short films that preceded it but I'm going to try and track them down.
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