Based on a 1938 novel of the same name and Alfred
Hitchcock’s first American production, Rebecca
also won the famed Director his only Best Picture Oscar. A young woman (Joan
Fontaine) meets an aristocratic widower (Laurence Olivier) in Monte Carlo and following a brief romance the
two are wed. The woman returns to England and to her husband’s
Cornish Estate where she discovers that the spectre of her husband’s late wife
still looms large.
It took me a long time to get into Rebecca (that came out wrong). It took me a long time to get into
the film (that’s better) and it wasn’t until the last half hour or so that it
was able to hold my attention. I found that I had little interest in the plot
which unravelled at a fairly measured pace. The final few scenes though were
quite spectacular and helped me to forget the unfortunate boredom which I
encountered during the first ninety minutes.
I enjoyed wandering the halls of the great house in which
the young wife (who is never named) finds herself in and much like her felt
lost in its cavernous rooms and never ending corridors. The film conveys very
successfully her sense of apprehension and discomfort at being the new prized
wife in a house in which the previous wife is still so revered. Joan Fontaine’s
acting is often excellent and her scenes with both Laurence Olivier and creepy
housekeeper Judith Anderson are generally very fine. All three actors would
receive Oscar nominations for their roles but only Fontaine would be
victorious. Judith Anderson’s hatred and disdain for her new mistress is
wonderfully expressed in the actress’s cold and uneasy performance and it often
appears as though it is she who misses the former Mrs de Winter the most. Her
role sometimes feels as though it is written as more of a former lover or at
least romantic admirer than servant. She was quite chilling to witness.
Laurence Olivier is an actor with whom I am barely acquainted but he always has
a huge presence and often rules a scene with what appears to be little effort. I also enjoyed seeing Gladys Cooper on screen, an actress who began her screen career in 1913 and was nominated for three Oscars including her turn in My Fair Lady in 1964.
Hitchcock’s direction feels as though it lacks the spark of
some of his later work but the skill is certainly evident. I wasn’t so keen on
the opening shots which felt a little jumpy but some of the tracking and quick
cutting was wonderful. I also enjoyed the rear projection, used not only while
characters were driving but also in beach and cliff top scenes too. There is
some good model work which helps to form the basis of the mansion central to
the story which was sometimes difficult to spot. The lighting was something
which stood out for me and helped to capture not only the cavernous house but
the character’s moods and emotions. At times the setting and story give the
feeling of a Gothic Fairytale and the suspense is really racked up in the final
half and hour but unfortunately I felt a little bored by the opening hour and
as a result wasn’t able to enjoy the film as much as I’d liked to. Even so Rebecca is a good film which becomes
great in places.
7/10
Saw again yesterday on TV. Splendid as ever
ReplyDeleteSaw again yesterday on TV. Splendid as ever
ReplyDelete