Killer Joe

"Who's dick is it?"

A young man, Chris (Emile Hirsch) in debt to a drug dealer and his father Ansel (Thomas Haden Church) decide to hire a contract killer known as Killer Joe (Matthew McConaughey) to kill Chris’ mother in order to claim $50,000 life insurance money. Unable to pay upfront, Joe suggests taking Chris’ innocent young sister Dottie (Juno Temple) as a retainer, something that doesn’t sit easily with Chris.

This is a darkly comic and extremely violent film which is likely to repulse some and delight others. There were several walk outs in the packed screening I was in and many audible gasps as well as perhaps the biggest laugh I’ve ever heard in a cinema. For an example of how it will polarize people I turned to my girlfriend on the way out and said “what did you think?” She replied “I hated it. It was awful. One star”. I on the other hand thought it was excellent.

Bronson

"You don't want to be trapped inside with me sunshine. Inside, I'm somebody nobody wants to fuck with do you understand? I am Charlie Bronson, I am Britain's most violent prisoner."

Bronson is a biopic of Charles Bronson, real name Michael Peterson, Britain’s most famous prisoner. After being sent down for seven years in 1974 for armed robbery, Bronson got a name for himself by attacking guards, prisoners and holding hostages. This film starts Tom Hardy in the title role and takes place mostly during his incarcerated life (38 years and counting) but also briefly touches on his childhood and a brief stint of freedom. The narrative uses both a traditional plot account and a sort of talking head from Bronson in which he comments on various parts of his life from the present. There are also some quite superb and eccentric scenes in which Bronson is on stage, performing to an audience.

I’d seen this film upon its release in 2008 and had bought the blu-ray in about 2010 but hadn’t watched it again until last night when we had some friends visiting. I remember being blown away by the violence and Tom Hardy’s performances back in 2008 but don’t remember laughing so much. This film is funnier than the majority of mainstream Hollywood comedies.

Work

Izzy Wake (Charles Inslee) a paperhanger and his assistant (Charlie Chaplin) slowly make their way to the house of Billy Armstrong and Marta Golden where they are due to hang wall paper. After experiencing difficulty even getting to the house, once they get there things go from bad to worse.

This film made me laugh, a lot, but overall it was messy – much like the on screen action. I didn’t really get any sense of who any of the characters were and to be honest apart from inhabiting the house at the centre of the story, Billy Armstrong and Marta Golden’s characters weren’t really necessary. They and Leo White were only really used during the films frenetic ending which is somewhere between a chase and a farce. That being said, there is still much to like about this Chaplin Essanay effort.

Beetlejuice

"Beetlejuice, Beetlejuice, Beetlejuice"

A young couple (Alec Baldwin and Geena Davis) are driving back from town one day when they crash their car and die. It takes them a while to realise though as they end up back in their house but with a new family, father (Jeffrey Jones), Step-mum (Catherine O’Hara) and Goth Daughter (Winona Ryder) moving in. As they become aware of their death they try to haunt the family in order to get them to leave but despite turning to the ‘Handbook for the Recently Deceased’ for help, they are unable to be seen. Instead they turn to a bio-exorcist called Betelgeuse, a crazed, perverted and unstable dead man who agrees to help scare the family off.

Unbelievably I’d never seen this film before having confused it in my head with Candyman, a film I saw aged about seven which caused nightmares for months. I’m so glad I’ve finally watched this bizarre comedy/horror. The film contains everything that the best Tim Burton films do; odd characters and locations, unusual and distinctive sets and darkly comic plotlines.

Red Lights

"How did you know that?"

"I'm psychic"

Psychologist and paranormal investigator Dr. Margaret Matheson (Sigourney Weaver) and her assistant Dr. Tom Buckley (Cillian Murphy) a physicist travel around debunking supposed paranormal activity from bumps in the night to stage psychics. Dr. Buckley wants to investigate their most challenging person to date, Simon Silver (Robert De Niro), a redound psychic who is making a comeback after a thirty year absence from the stage. Dr. Matheson warns Buckley against this though after having come up against him in the 1970s and failing to prove him a fraud. With the help of student Sally Owen (Elisabeth Olsen) Buckley defies Matheson and begins investigating the illusive Silver.

As a radical atheist and sceptic the film’s ideas appealed to me. I was delighted to watch the scientists make fun of and debunk people who claim to see ghosts and be able to read minds. The script treats these people with distain and isn’t afraid to mention how these people can be responsible for giving stupid people false hope and can even cost lives. The cast is also amongst the best of any film this year. With actors such as Signourney Weaver, Cillian Murphy, Toby Jones, Joely Richardson, the delightful Elizabeth Olsen and my all time favourite actor Robert De Niro, anything less than a great film would be a disappointment. Well, this isn’t a great film but it isn’t terrible either.

Abraham Lincoln Vampire Hunter

"However history remembers me before I was a President, it shall only remember a fraction of the truth..."

In 1818 a young boy by the name of Abraham Lincoln (Benjamin Walker) witnesses his mother’s murder and vows to get revenge on the man who took her life. In his late teens he finally plucks up the courage to enact his revenge but when he fires a pistol at the head of the assassin, the man simply gets back up and attacks the young Lincoln. The young man is saved by a strange man called Henry Sturgess (Dominic Cooper) who tells the future President about the existence of vampires and teaches him the art of killing them. Lincoln dedicates his life to the destruction of vampires but finds in later life that words and deeds outweigh the power of his axe and he eventually becomes a Lawyer and later President of the Union. During his Presidency the vampire rich South declares war on the North in the hope of creating a nation for vampires.

This film is a case of a title that is better than the movie. The idea behind it sounds great; that one of America’s most beloved Presidents was also secretly a Vampire Hunter, but the execution doesn’t live up to the premise. I’ve recently read books about the American Civil War and Lincoln’s assassination so probably know more than the average Brit about the President and this period of America’s history and there were nice details, incidents and characters taken from the period and Lincoln’s life that were included to give a bit of authenticity to the story. The truth, with the added inclusion of vampires could have created a really good film but alas it is not.

Rock of Ages

"This place is about to become a sea of sweat, ear-shattering music and puke"

In 1987 Sherrie (Julianne Hough) sets off from her home in Oklahoma towards L.A with dreams of rock stardom. Almost as soon as she arrives she is mugged and helped by Drew (Diego Boneta) who works at the Bourbon Room, a Sunset Strip rock club. Sherrie gets a job at the club and she and Drew begin a relationship while both dreaming of becoming singers. Meanwhile the club’s owner Dennis (Alec Baldwin) and his right hand man Lonny (Russell Brand) are struggling to keep the club open amid protests from the Mayor’s wife Patricia Whitmore (Catherine Zeta-Jones). Rock legend Stacee Jaxx (Tom Cruise) of the band Arsenal is due to perform at the club with the hopes of beginning a solo carer, if he can get his head back in the game long enough to do so.

I’d read mixed reviews before seeing this film but I’m a fan of a lot of 80s rock music, from Iron Maiden to Metallica to Blue Cheer via Motley Crue, Motorhead and Pantera. Unfortunately this is not the sort of rock music you get with Rock of Ages. Instead you end up with the likes of Bon Jovi and Journey. This is not the type of music I enjoy, especially when the lyrics are used in place of dialogue in an annoying coming of age story. This film is about as much rock n’ roll as a jam sandwich with the crusts removed.

GB Posters Blog - Sam Raimi's Spider-Man

Elaine over at GB Posters asked me to write something about Raimi's Spider-Man trilogy in the build up to the release of The Amazing Spider-Man and below is a link to my piece. 

 http://www.gbposters.com/blog/spiderman-the-trilogy

You can read what I thought about each film in more detail by clicking on the links below.

Spider-Man
Spider-Man 2
Spider-Man 3

Spider-Man 3

"Everybody needs help sometimes Peter, even Spider-Man"

The final part of Sam Raimi’s Spider-Man trilogy finds Peter Parker finally enjoying life. Things are going well for him; he’s top of his class, closer than ever to MJ and still has time to fight crime as Spider-Man. If anything Peter has become over arrogant with his all round success and this comes back to bite him when an extra terrestrial parasite which amplifies the characteristics of its host attaches itself to Peter and turns his Spidey suit black. Now more cocky and arrogant than ever Peter has little time for MJ and they drift apart. At the same time an escaped criminal accidentally ends up in a particle accelerator filled with sand. The sand fuses with his body and turns him into the Sandman – Spider-Man’s latest nemesis.

This is generally regarded to be the worst of the Raimi Spider-Man films but personally I’d put it second, slightly ahead of Spider-Man While there is an enormous amount wrong with the film, I actually think that the story is the strongest of the three. I like how the film looks at Peter Parker’s psychological state and how the alien parasite is able to effect how and who he is. His relationship with Mary Jane becomes fractured after ending on a high in Spider-Man 2 and this creates plenty of drama and commotion. Add this to Harry’s ever growing disdain for Spider-Man and you have the makings of a decent plot. As a result of focussing more on Parker/Spider-Man’s turmoil, the villain characters suffer a little and the Sandman’s back-story is only briefly touched upon. Venom is only really seen in a few scenes as an arrogant up and comer before becoming a super villain.

Battle: Los Angeles

"Now you got three hours to get your ass back before those bombs drop, and make no mistake THEY WILL DROP! with... or without you"

Staff Sergeant Nantz (Aaron Eckhart) is on the verge of retiring from the US Marines when he gets called back into action one last time to help repel an alien attack on L.A. What scientists first suspect to be meteors turn out to be the ships of an unidentified species of alien who intend to colonise the Earth and drain its resources. Under the leadership of an untested Lieutenant and with a squad of Marines who don’t trust him, Nantz must help a band of civilians to escape Santa Monica before it is blown up by the Air Force.

This is a film with a multitude of problems which start with the character introductions. For a start there are too many, all introduced with a minute or two of back story. They are all stock characters which have been seen a thousand times. We have the guy who’s getting married, the untested Officer, the guy whose brother was killed, the guy in therapy, the guy from New Joizey, the guy from Texas and perhaps more unusually the guy from Nigeria who enlisted for citizenship. I couldn’t tell you any more about the characters than that and never really cared for any of them. Later they are joined by a female Air Force (pilot? I think) (Michelle Rodriguez) along with five civilians, three of which are children.

By the Sea

While on a windy beach The Tramp (Charlie Chaplin) turns his attention to two married women and ends up getting in trouble with their husbands. This film feels like a bit of a step back after Chaplin’s previous films. It feels much closer to His New Job than the likes of The Champion or The The Tramp in that it is a knockabout comedy and a farce which lacks character development. Despite this there is still much to like.

I especially enjoyed Chaplin’s use of string attached to his jacket and hat which stops his hat blowing away in the wind. It’s a great idea and it’s almost a shame it didn’t catch on! The idea is used successfully in a couple of ways; Firstly in a scene in which Chaplin and Billy Armstrong get their strings intertwined and end up tangled up and inevitably fighting and in a second scene while trying to woo Bud Jamison’s wife. In this scene Chaplin manipulates the string behind his back to make it seem as though the hat is jumping off his head. It’s a simple, clever and very funny idea.

Apart from those two examples and a brief fight involving ice creams there isn’t much else of note in this film. There are of course Bud Jamison’s over the top eyebrows and the background setting of an almost deserted Los Angeles beach is quite interesting but compared to Chaplin’s later films this feels a little weak.

5/10

Spider-Man 2

"I'm Spider-Man no more, no more"

Two years after his transformation into Spider-Man, Peter Parker (Tobey Maguire) is struggling to balance the demands of being a super hero with a job and studying while these all impact on his personal life. His secret love Mary Jane (Kirsten Dunst) is now a big hit on Broadway but after the open ended conclusion to their relationship at the end of Spider-Man, the two have since drifted apart. Peter is writing a paper about the scientist Dr. Octavius (Alfred Molina) and goes to the unveiling of his latest experiment. Things go wrong though and Octavius becomes attached to four tentacle like instruments and becomes Dr. Octopus, a villain hell bent on completing his experiments, even if they destroy the whole city.  

If you read my review of Spider-Man then you’ll be aware of how bitterly disappointed I was with it. Thankfully Spider-Man 2 lived up to my memory and if anything exceeded it. The story is focussed on Peter Parker’s split lives and how he manages to cope with the responsibility of being Spider-Man. His relationship with Mary Jane is also at the centre and the will they/wont they or will they/can they nature of their relationship is played out in full. Peter’s relationship with other characters including his Aunt and friend Harry are also featured with the later continuing an obvious thread which leads to a third film.

Spider-Man

"Your friendly neighborhood Spider-Man"

A geeky high school kid, Peter Parker (Tobey Maguire) is on a field trip to a genetics laboratory when he is bitten by a genetically engineered spider. Soon after he feels unwell but wakes up the next morning to discover that he is feeling better than ever, can see without his glasses and has new muscle tone in place of his once scrawny physique. Peter also discovers that his reactions are greatly heightened and that he is stronger and faster than ever before. After the untimely death of his Uncle, Peter decides to put his new found attributes to the test and adopts the moniker Spider-Man. This is just in time it seems as New York City comes under attack from The Green Goblin and only Spider-Man can stop him.

I saw this film ten years ago when it was first released and although I’ve never been into Comics, even I knew the Spider-Man origins story at that time. At the time I remember thinking that it was really good but after ten years I’ve changed my mind. Perhaps it is because the film has aged, maybe it’s because I’ve seen it before or maybe it’s just because it doesn’t match recent Comic book adaptations but this time around I was unimpressed.

Drive

"... I don't sit in while you're running it down. I don't carry a gun. I drive"

A Hollywood stunt driver / part time wheelman for L.A’s criminals (Ryan Gosling) gets embroiled in a crime that puts him on a collision course with the Mob after taking a job in order to protect perhaps the only two people in the world that he has any feelings for. The cool and unflappable Driver seeks out those who have wronged him and attempts to save his own and his love interest’s lives.

This was easily one of the top 10 best films of 2011 and possibly inside my top ten of the last several years. The film and its central character are effortlessly cool and both have become both instant classics and cult favourites. Although the film’s time period is never specified it seems to have a foot both in the present and in the 1980s. The style, design and music reminded me of the video game Grand Theft Auto: Vice City as it has that kind of 80s Miami almost art deco style-stucco style. The colour palette is beautiful and dominated by the colour gold, perhaps in a nod to its L.A setting and also the Driver’s nostalgic view of L.A with its strong silent movie stars and dames in need of rescue. The whole film has a very Noir feel to it. The gold is most noticeable in Gosling’s wardrobe as he sports golden shoes and a fantastic gold scorpion jacket. More subtlety though the sun kissed L.A streets also glisten gold.

Like Crazy

"I just have to say one thing and it's really important that you just listen to me. I just... "

Like Crazy is a 2011 Romantic Drama in which two young students fall in love but get torn apart by problems with immigration. Anna (Felicity Jones) is studying Journalism at college in L.A. on a student visa when she meets and falls in love with Jacob (Anton Yelchin). The two begin a heartfelt and romantic relationship during which Anna overstays her visa. After returning briefly to the UK for a Wedding she is denied re-entry to the US and is forcibly deported. The couple then struggle to maintain a relationship or even a friendship over a distance of several thousand miles and discover that the time and distance is not the only thing that is capable of keeping them apart.

This film produced a flurry of emotions from me. During the first act I kept saying “awww” as it is incredibly cute. The two actors felt like a very realistic and sweet couple and reminded me of being in the first throws of love. By the second act I was screaming at the US Immigration Officials and then ended up telling the central characters off, even though I’m about 80% sure they couldn’t hear me. The film goes up and down, in and out, backwards and forwards, roundabout and back again and I went with it every step of the way.

Cosmopolis

"It's not the sex I've had, it's the sex I want that you can smell"

Young billionaire Eric Packer (Robert Pattinson) decides to take his stretch limo across New York City for a haircut. Along the way he conducts business, meets friends, family and acquaintances before being mobbed by anarchists and confronting someone who has malicious intent to harm him. 

This film reminded me of a good Shakespearean play; I only understood about half of it but enjoyed it a lot. There are long elongated stretches of duelling dialogue which are spoken in a half alien language of metaphors and double meanings. The word ‘this’ takes on new meanings and is used in – it feels like – almost every sentence. Much like a Shakespearean play there are odd comic moments and in keeping with Director David Cronenberg’s cannon, brief scenes of extreme violence. These few instances ignited some of the more drawn out and dare I say duller scenes to keep the audience on tenterhooks. Despite these flashes this wont be a film for everyone and a man next to me in an early afternoon screening fell asleep while a couple on the row in front left about half way in.

The Tramp

A Tramp (Charlie Chaplin) is on the road when he rescues a farmer’s daughter (Edna Purviance) from thieves out to steal her money. As a reward the Tramp is taken in and offered work by Edna’s father (Ernest Van Pelt). On the farm the Tramp is asked to halt a second attempt by the criminals and ends up in a love triangle.

This was Chaplin’s 6^th Essanay film and the first I had seen before watching the studios output in full. It marks the first time that the Tramp is seen fully formed although Chaplin had played the character before. Here the tramp is a much more rounded character and although he still looks out for number one he is more inclined to help others and in fact ends up leaving the farm so that he doesn’t get in the way of Edna and her boyfriend. This is a quite different Tramp from say In the Park and The Champion.

The Proposition

"Ah Australia. What fresh hell is this?"

After a gang commits a horrific crime in 1880s Australia, local Police Captain (Ray Winstone) offers to spare the lives of two Burns’ brothers if one of them, Charlie (Guy Pearce) kills their older brother Arthur (Danny Huston) who was responsible for the crime. As the youngest brother (Richard Wilson) rots in jail with his execution looming, Charlie has just nine days to track down Arthur and bring his body to the Captain.

The film’s opening titles show original photos mixed with stills from the set which are made to look aged. This is a nice little touch which helps to create the period setting. The look and feel of late Victorian Australia is captured wonderfully with a mixture of fantastic sets, costumes and locations. There is a fabulous juxtaposition between the Captain’s little bubble and the rest of the film’s locations. He often remarks that “I will tame this land” and his house, garden and wife look as though they have been neatly dropped from a London suburb. Outside of this however the land is sweaty, dusty and grim. People are unwashed and clothes are stained brown and torn.

A Jitney Elopement

Edna (Edna Purviance) has been betrothed to a rich Count by her father (Ernest Van Pelt) but she already has a secret love, The Tramp (Charlie Chaplin). Edna persuades her love to save her and he impersonates the Count at tea with Edna and her father. Once the Count (Leo White) turns up with his fantastical facial hair The Tramp is thrown out. Later in a park the foursome come together again and the two young lovers attempt to elope in an act that brings about a prolonged car chase.

There are two very distinct halves to this film and I believe that the first half is amongst Chaplin’s best Essanay work to date. Having come off In the Park which was fast and a little bit messy, the first half of A Jitney Elopement was surprisingly slow, calm and more reminiscent of his later feature films. The second half though features a full on frenetic car chase which takes place in and around San Francisco and makes this Chaplin’s most sprawling film to date. The title incidentally comes from the type of vehicle that the couple attempt to run away in – a kind of shared taxi.

The Limelight

"I'm the guy that invented peanut butter"

The Limelight is an ultra low budget comedy drama that was written, directed and stars comedian Glen Maney. Maney plays Gary Shand, a middle aged stand up comedian who in his own words has lost his wife, his kids, everything. Constantly short of cash, Gary tries desperately to get work through his agent Al (Ricky Grover), a non nonsense hard man who appears to enjoy watching Gary suffer. Gary’s only friends appear to be a young stand up called Sean (Patrick Monahan) who steals his material and bartender Adrian (Mark Monero) who has dreams of being a councillor but is unable to console Gary. The plot follows Gary through his struggles until he is ready to end it all. But is redemption just around the corner?

I was asked to review this film by a friend who knows Glen Maney. Because of this I was worried that I wouldn’t like it and would have to tell him that I thought his friend’s film sucked! On the whole though I’m pleased to say that I did enjoy the film although it is not without its faults. Firstly I thought that the premise and story was excellent and was something that is relatable. The idea of a comic who hasn’t quite made it and is struggling with personal problems is a great narrative idea but I felt that the film could have been punchier and is perhaps better suited to TV. In an episodic format I would have happily returned to see how Gary was getting on week after week.

Alice Doesn't Live Here Anymore

"Is it sexy?"

"Sexy for Phoenix.."

Martin Scorsese’s forth picture and the forth in my Scorsese in Sequence series is Alice Doesn’t Live Here Anymore. Alice Hyatt (Ellen Burstyn) is a ex lounge singer turned housewife who lives with her pre teen son Tommy (Alfred Lutter) and her emotionally cold and distant husband Donald (Billy Green Bush). After Donald is killed while driving his truck Alice takes the opportunity to travel through the South Western States of America in search of work as a singer in order to get to Monterey where she hopes to settle and rebuild her singing career.

This is Scorsese’s first film that is overtly comedic. While each of his three previous films had occasional funny moments, Alice’ is the first Scorsese film that I’d describe as a drama-comedy. This doesn’t mean that it’s a laugh a minute popcorn film though. Like all of his funnier films (The King of Comedy, After Hours) there is still a strong dramatic thread to it and it can be sad and even distressing in places.

The film opens with an idealised view of Alice’s childhood in which she is stood outside a house, clutching a doll. This scene is quite surreal and feels like a homage to the Wizard of Oz. The set features obvious fake backdrops and what looks like a flimsy set house and is filmed with a deep red filter. Unlike Oz where Dorothy wants to escape Kansas it feels like Alice is looking back on her childhood wishing she could escape her adult life and return to that idealised red world.

Mulholland Drive

Ooookaayyyy…. So. On Mulholland Dr. L.A. a woman (Laura Harring) is in the back of a car. In the front seat is a man with a gun to her head. Before he is able to fire at her another car hits theirs killing everyone but the woman. She escapes through scrub land and finds herself in a small apartment complex where she is able to sneak into the apartment of an old woman who is leaving town for a while. Meanwhile Betty (Naomi Watts), a young woman with acting aspirations arrives in L.A. and arrives at the same apartment which belongs to her Aunt. She goes inside but finds the escaped woman in the shower. The woman is unable to remember her name and after telling Betty all she remembers is an accident, the two of them set about trying to discover her identity. For some reason the woman’s bag is full of $100 bills and a single blue key. After much searching and seemingly unlinked sub plots a blue box is discovered and opened with the key. After that my internal monologue went a bit like this; “Wait... No So… That means… No… But… He was… Hang on… Ay?... Huh?... Who’s that?... Oh of course… Nope.

This is a completely mental film but I thought it was great. For two thirds it is a mystery with the odd surrealist moment thrown in. I found this part of the film really interesting and complex and had no idea what was happening or where it was going. Despite this I was enjoying the ride. Then it goes crazy. Suddenly people aren’t who they were and characters appear in strands of the story that they had no connection with. One character goes from an amnesiac to a lesbian to the partner of a film director in a couple of scenes while another goes from a vibrant and talented young woman to down and out prostitute. I don’t know how or why and on further reading it turns out that the cast didn’t either.

British Council Film Collection

The British Council Film Collection is an archive of over 120 short documentary films made by the British Council during the 1940s designed to show the world how Britain lived, worked and played. The films vary in length between around three and thirty minutes and show all aspects of Britain during this tumultuous decade. The films were produced as a way of promoting Britain and Britishness and were seen in over 100 countries as cultural propaganda, as a way of counteracting the Nazis own propaganda about Britain being stuck in the past. In amongst the collection there will be at least a few films that are of interest to everyone with subjects as diverse as the Criminal Justice System, Town Planning, Shakespeare, Ship Building and even the life of an Onion...

Although at the time these films were produced to show how modern and diverse Britain was they feel very dated now. They are voiced over by men with accents that no longer exist outside an American tourist's imagination and you'll be hard pressed to find anyone who isn't white on film. Some of the views are also quite outdated. In one film nursing is described as "the most interesting and satisfying career open to women." If you are familiar with any of the towns and cities featured in the films then their appearance will also be a big shock to you. The country has changed a lot in seventy years. Most of the films are shot during the Second World War and this is another interesting feature about them. We are able to see how the nation coped with rationing, bombing and death on a daily basis.

Below are links to and a brief description of four of my favourite films. These are films which for various geographical, historical or personal reasons were of interest to me.

Snow White and the Huntsman

Snow White (Kristen Stewart) is the daughter of King Magnus (Noah Huntley) and is known as a great beauty. Her mother, the Queen dies when she is young and her father remarries a freed prisoner called Ravenna (Charlize Theron). On their wedding night Ravenna kills the King and takes the Kingdom for herself. Snow White is locked up in an isolated tower for several years as the Kingdom is left to rot under Ravenna’s cruel rule. When she comes of age it is revealed to Ravenna that she is no longer the fairest of them all and that Snow White’s beauty has usurped hers. Ravenna tries to eat Snow White’s heart in order to stay forever young but Snow White escapes. Ravenna sends a drunken widower Huntsman (Chris Hemsworth) to bring Snow White back but things don’t pan out the way Ravenna hopes.

The film appears to be influenced by many different stories and ideas with the most notable being Snow White (obviously), but there is also a lot of Joan of Ark in there as well as a little Twilight, Game of Thrones, Royal Wedding and the visual styling of an acid trip. The castle appears to be modelled on Mont St.Michael in Normandy. The film’s design and effects are amongst its most successful features. Debut director Rupert Sanders has created a sumptuous world of dark forests, great castles, dancing fairies, giant trolls and medieval towns. The film looks stunning.

Infernal Affairs

"Remember this, if you see someone doing something but at the same time watching you... then he is a cop"

Triad boss Hon Sam (Eric Tsang) sends a group of young gangsters to join the Hong Kong Police academy with the hope that they will infiltrate the department, rise through the ranks and help him to avoid the attentions of the Police. One of the most successful of these youngsters is Lau (Andy Lau) who ascends the chain of command rapidly. One of Lau’s fellow cadets Chan Wing-yan (Tony Leung) is expelled from the Academy but secretly becomes an undercover cop, hoping to infiltrate Sam’s Triads.

The film is full of suspense and suspicion as we go back and forth between the two moles, both trying to discover the other’s identity while keeping theirs hidden. The plot is highly original, complex and fascinating but it’s a shame I’d already seen Martin Scorsese's fantastic remake The Departed because I knew how things were going to pan out. Even though I knew the ending there were still enough differences and surprises to keep the action fresh. The film also feels much more like a Michael Mann film than a Scorsese.

Thor

"Legend tells us one thing; history, another. But, every now and then, we find something that belongs to both"

A thousand years after his father Odin (Anthony Hopkins), king of Asgard defeated the Frost Giants of Jotunheim, his arrogant but powerful son Thor (Chris Hemsworth) returns to take on his father’s old nemesis after an unprovoked attack on Asgard. This is against his father’s will and as a result Thor is cast out of Asgard, losing all of his power and most importantly Mjolnir, his hammer. Landing on Earth, Thor is accidentally run over by scientists Jane (Natalie Portman) and Erik Selvig (Stellen Skarsgard) who are skeptical about his story. Thor must prove his worth to Asgard and protect the Earth from his jealous brother Loki (Tom Hiddleston) in order to be able to ascend his father’s throne.

I think that the tone of this film was judged very well. It didn’t take itself too seriously which considering the plot involves caped Viking Gods talking in late Middle English and large blue Frost Giants was a good call. It wasn’t as funny as Iron Man but I laughed several times.

Prometheus

"A king has his reign, and then he dies. It's inevitable"

It’s 2089 and two archaeologists, Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) discover the same star map amongst paintings and artefacts from various different ancient civilisations which had no interaction with each other. Convinced that this map is somehow connected to our origins the two enlist the help of Weyland Industries and visit the moon LV-223 aboard the ship Prometheus. Four years later they and the crew, totalling seventeen are woken from Stasis by robot David (Michael Fassbender) and with specific instructions from Weyland representative Meredith Vickers (Charlize Theron) not to interact with any species they might encounter, set off into an unidentified structure on the Moon’s surface.

Firstly I’ll get the Alien stuff out of the way. It definitely helps if you have seen the Alien franchise but is in no way a necessity. The film can be viewed as both a stand alone movie and as a prequel. I’ve only recently watched the series for the first time so it is still fresh in my mind. As such on a few occasions I thought to myself “ooh I recognise that” and “aahhh, so that means…” but the film also made me want to watch the original Alien again as I was a little confused at times. I think that my confusion was due to two reasons. Firstly the plot is fairly complex and you have to pay close attention. Secondly, there are far too many plot holes. I won’t go into them here in order to avoid spoilers but if you’re interested then fellow blogger Life vs Film has compiled an extensive list here.

For me the film’s biggest strength was its atmosphere. The film isn’t as tense as I’d expected it to be but is rather more like a mystery. Unlike say Alien you aren’t waiting for something to jump out and scare you but rather it unfolds very slowly, creating more questions as it progresses. Many of the questions are subsequently answered but some are left open which I liked but left me feeling slightly frustrated. The tone was much less about horror and more about what, why, where and how and tone wise it is closer to Scott's Blade Runner than Alien. I loved how slowly the plot unfolded but wonder if the Transformers generation will have the patience to stick with it?

The Birth of a Nation

One of the most famous and best films of the early silent era, The Birth of a Nation can be split into two distinct parts. The first part is a story of the American Civil War and features two families, The Stonemans from Pennsylvania and the Camerons from South Carolina. Early on the Stonemans are seen visiting their friends in the south and the beginnings of relationships occur between some of the younger members of the family. There is slight tension in the air though as the Civil War looms in the near future. Fast forward to the war and both families join their respective armies and in the end meet on the battlefield in an incredible battle scene. It is at about this time that the first overtly obvious racism crops up as a group of black militia ransack the Cameron home and search for white woman to abuse. This section ends with a fairly accurate depiction of the assassination of President Lincoln.

Part two, The Reconstruction begins with views of a battered and beaten south in which the formerly wealthy Cameron family has been reduced to rags and renting out rooms in their mansion. The head of the Stoneman family travels south with his protégé, a mixed race man called Lynch. With the help of black soldiers they turn white voters away from poll booths and create a landslide election win in which the South Carolina legislature is filled with black members. Lynch is elected as Governor General. With laws being passed which give blacks more rights and infringe on the rights of whites (intermarriage – the outrage!!) Ben Cameron forms an organisation called the Ku Klux Klan who band together to threaten and kill black men who attack white women.

In the Park

Chaplin’s first one reel farce for Essanay is set in a park. A lady has her handbag stolen by a thief who then attempts to steal Chaplin’s sausages. Chaplin ends up with the bag and it goes from person to person with each usually ending up with a brick to the face or foot to the bottom until one man tries to kill himself and another ends up in Police custody.

For such a short film In the Park has a surprisingly large cast. Chaplin regulars such as Edna Purviance, Leo White, Ernest Van Pelt and Bud Jamison all appear along with three or four other bit players. Considering the film is only fourteen minutes long it feels like a lot happens and is more reminiscent of Chaplin’s Keystone pictures rather than say The Champion which was released just a week earlier than this.

Benda Bilili!

Benda Bilili! Is a 2010 documentary about a group of disabled musicians from Kinshasa, Congo who use rudimentary and hand made instruments to produce wonderful rumba and reggae music. The band are followed from 2004 to 2010 by French film makers Renaud Barret and Florent de La Tullaye as they progress from living on the streets and practicing at the city’s zoo to recording an album and touring Europe. The film focuses on the struggles of the various members and those around them and upon their influence in the city and especially on the young street kids who follow and assist them.
 

The band use strange hand peddled tricycles to get about as most of the members suffer from Polio and are unable to walk. Their songs are about their lives on the streets from being laughed at for being handicapped to songs about sleeping on cardboard. Bad things keep coming at the various members but they never let it get them down and remain focused on making a better life for themselves and their families. In one scene, the leader of the band Staff Benda Bilili a street papa called Ricky Lickabu receives a call to say that the shack that he has been staying at has been burned down. He simply turns to the camera and says “these things happen in life”. He is later seen sleeping on the street with his wife and four children.

GB Posters Blog - The Queen

GB Posters are celebrating the Queen's Diamond Jubilee and asked if I could write something for them. I thought about it and asked some people for suggestions and decided I'd write a review of The Queen, a film I hadn't seen but had heard was very good. You can visit GB Posters and see what I thought by clicking on the link below.

http://www.gbposters.com/blog/jubilee-review-the-queen

And you can read my other reviews for the website by clicking on the GB Posters tab on the right of this page.

The Road

"You think I come from another world, don't you?"

In the years following an unspecified apocalyptic event a man (Viggo Mortensen) and his son (Kodi Smit-McPhee) spend life on the road, constantly moving south in search of food and shelter and hoping to avoid bands of hungry cannibals.

I first saw this film in the cinema a couple of years ago and was blown away by its bleakness and beauty. I’ve mentioned before how much I love the look of decaying beauty and there are few films that show that so much as this. The screen is filled with various shades of grey and the sun never shines. The backdrop to the family’s struggle is filled with decrepit landscapes ruined by an unknown catastrophic event. These scenes are further heightened by flash backs to before the event in which Mortensen and his wife Charlize Theron are seen to be enjoying life in a colourful and vibrant world. Other flashbacks show life in the years after the apocalypse during which Theron is pregnant and subsequently where she struggles to deal with her harsh new surroundings.