Angels with Dirty
Faces is a Hays Code era gangster film which stars James Cagney as Rocky
Sullivan, a notorious gangster with a good side. Rocky grew up what appears to
be the Lower East Side with his friend Jerry
(Pat O’Brien) getting up to all sorts of misdemeanours and petty crime. One day
the boys are being chased through a train yard when Jerry slips and falls in
front of a moving train. Rocky saves his friend but as the boys make their
escape Rocky is caught and sent to reform school which leads to a life of
crime. Years later Jerry is a Priest and having been released from a stint in
jail Rocky returns to the old neighbourhood to claim his share of loot from his
crooked lawyer Frazier (Humphrey Bogart) but Frazier ain’t taking too kindly to
Rocky walking back up in here, you get me, you mutz.
The film features a great central performance from Cagney as
well as some brilliant set design and cracking dialogue. It feels a little
diluted when compared to earlier pre-Code films but you get the picture of the
world in which the characters are living. What is obvious although sometimes
too obvious is the message. Sometimes it’s not who you are but where you are
that makes you and the film’s black and white telling of this idea is laid out
very clearly.
The film opens in what is a fantastically designed set of New York’s Lower East Side.
It is almost exactly as you’d imagine it to look in the early twentieth century
and bustles with people moving about and kids with little better to do than
cause trouble. One of these kids is Rocky, who isn’t an angel but isn’t what
you’d call evil. Having been sent to reform school his path in life is laid out
in front of him and a brief montage shows the next fifteen years as he makes a
name for himself in the underground crime world and is sent to jail several
times. Despite this seemingly black and white portrayal of a gangster there is
something more to Rocky. He takes a group of local hoodlums under his wing and
begins to teach them the way of the world. They idolise him and as a result he
can influence them to stop thieving and become more interested in wholesome
activities. Rocky helps out his old friend Jerry, now a Priest to get the boys
on the straight and narrow but as long as they look up to him as a gangster;
they’ll never take the straight path.
The film's closing scenes are never in doubt due to the rules
of the Hays Code. Introduced in 1930 but becoming much more stringent a few
years later, the Hollywood Code had strict guidelines on how stories were
allowed to unfold. This meant that if a character was essentially bad then he
had to get his comeuppance. Because of this some of the drama is taken out of
the closing scenes as one way or another you know things aren’t going to end
well for Rocky. Even so the ending is extremely powerful and rounded off the
film’s overarching theme really well. The film’s release in 1938 also meant
that violence had to be scaled back in comparison to earlier gangster pictures
such as Scarface or Little Caesar. Despite a few shoot outs
there is never a drop of blood spilled and you rarely actually see a shot hit
its target. Instead you often see a character firing shots then the camera will
reverse to the person being shot at where you’ll hear, but not see further
shots and the man will go down. One scene has the camera pan quickly to the
right as Cagney fires his gun, showing his own reflection in the mirror. It’s a
fantastic shot.
There was one aspect of Angels
with Dirty Faces which left me feeling really ambivalent. This was the
sound and dialogue. On the one hand I love the fast paced talking. When I think
of the period or actors the likes of Humphrey Bogart and James Cagney I can’t
help but speakreallyquicklyandputnospacesbetweenmywords but when trying to
listen to it through seventy year old sound recording equipment I can become
frustrating. Talkies were still only a decade old in 1938 and I’ve had trouble
hearing dialogue in films made right into the 50s so it’s not a picture
specific problem but it did hamper my understanding at times. Although I
thought Cagney was excellent, outshining the more highly regarded Bogart, I
thought that Ann Sheridan was a weak link. In one vital scene she comes off as
very wooden but at other times she over cooks her emotions. I enjoyed watching
The Dead End Kids and I’m not surprised that they continued to be cast in films
for years after this film. Despite the Code clamping down on violence, they
were still able to smack each other around the head with no censorship.
Overall I liked Angels
with Dirty Faces but have some reservations. The themes were laid out far
too obviously and I struggled with some of the sound but there are a few great
performances, it is expertly designed and lit and the story, obvious though it
may be, is appealing and well constructed. There are some good shoot outs and
one of the all time great movie catch phrases “Whadda ya hear? Whadda ya
say?”
7/10
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