Based on the musical of the same name which itself was based
on a French novel, Les Misérables is
a musical film Directed by Academy Award winning Director Tom Hooper. A large
ensemble cast star in a tale set over several decades during a period of
multiple French Revolutions. Jean Valjean (Hugh Jackman) is released from
prison twenty years after stealing some bread. Placed on parole for the rest of
his life he eventually skips it and starts anew. Over the years he is
mercilessly chased by Prison Guard turned Police officer Javert (Russell
Crowe). Set against the backdrop of social inequity and extreme poverty the
plot intertwines a love story featuring idealistic reformist Marius (Eddie
Redmayne) and the illegitimate daughter of Prostitute Fantine (Anne Hathaway),
Cosette (Amanda Seyfried).
The mass excitement at the release of Les Misérables caused a huge traffic jam outside my local cinema
today on what is by far the busiest day I’ve seen in my four years using it.
The film has just been nominated for eight Oscars and nine Baftas and in my
opinion is in no way a perfect movie but deserves its plaudits. The film has an
intense beginning and a slight lull in the middle before ending on a huge and
powerful high which caused tears from many and in a first for me, the audience
burst into applause. That is something which rarely if ever happens in a UK
Cinema.
The film begins on a large set piece during which several
hundred prisoners are raising a huge galleon into a dock. Amongst these is Jean
Valjean (the best named character in history) who is given his freedom soon
after. Valjean goes through a period of crime in order to support himself but
is soon redeemed with the help of the Church. Les Mis weaves several stories over several decades with characters
coming of age and discovering things about themselves and others previously
unknown to them. The story is timeless but placed within a very specific time
period. The social struggles of the masses makes for a fascinating backdrop and
provides the oomph for some of the best songs.
Hooper, for the first time since the 1930s recorded the
cast’s singing live using hidden earpieces with piano backing for reference
before adding the orchestration in post production. I think this is obvious but
works well. The result is that the vocals aren’t as polished as in most other
musicals but I personally preferred the raw and realistic sound. The actors
also resemble stage performers when they sing, some of them having to scrunch
up their faces in order to hit the notes. I’m a fan of this style. As far as
the singing goes the songs are obviously classics of the genre and well known
to most. My first experience of them was when I saw the musical in the West End a few years ago. I loved it. Most of the singing
is excellent. The standouts for me are Anne Hathaway, Eddie Redmayne and
Samantha Barks. Those three are superb and Hathaway’s I Dreamed a Dream was one of the highlights. The rest of the cast
were generally good too. Jackman sounds great and Seyfried is good but I wasn’t
a fan of her high pitched voice. The one major problem is Russell Crowe who has
a good voice but doesn’t match the rest of the cast in range or style. He often
sounds as though he should be in an 80s rock band. I was always unsure of
Helena Bonham Carter and Sacha Baron Cohen’s place in the film. Les Mis is a story which needs the comic
relief and some scenes were amusing but I felt that they cropped up too often
and were sometimes misplaced in the action.
The Direction is a little bit fussy at times but overall
fine. I think it’s clever how Hooper was able to change camera angles when the
cast were singing as they were singing live. The audio continuity is excellent.
Some of the sets feel a bit off but again on the whole they’re good. Greenwich substitutes for
some of the more opulent Parisian buildings and the barricade in the poorer
area of the city is well designed. Some of the interiors were a bit cramp and bare
but I suppose they match the standards of the time. There is quite heavy use of
CGI in some scenes which is obvious and sometimes detracts from the tangible
visuals but they are probably necessary given the scope of some of the scenes.
The final ninety seconds of Les Misérables are amongst the most moving I’ve seen in a long time
and helped to leave me with an impression that I’d enjoyed the film more than I
perhaps had. The earlier scene in which Hathaway sings was by far the highlight
for me but the ending is second to it. When the film ended I looked to my right
to see my girlfriend’s mascara running down her face and others were crying
too. What surprised me most was the spontaneous applause. Looking around at the
suits and grey haired patrons it was obvious that this was more of a theatre
audience but I’ve never witnessed a cinema audience applaud at the end of a
film before. Les Mis hits some pretty
high highs with some great acting and singing while the story is excellent too.
It would have been pretty difficult to mess the film up given the source
material and acting talent but I felt if there was one area in which the film
was let down then it was in the Direction. Otherwise it is a massively
enjoyable albeit long musical which will go down as one of the best the genre
has produced in this young century.
8/10
GFR 9/10
Spot on as ever. And I totally agree about Bonham Carter and Baron Cohen. They kept taking me out of the story whenever they popped up. Particularly near the end.
ReplyDeleteCheers. I still think that their comic relief was needed but it just didn't work.
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