Originally released in the US
as one half of an exploitation double feature with Robert Rodriguez’s Planet Terror under the name Grindhouse, Quentin Tarantino’s Death Proof was released in the UK as a single
feature. The film is a pastiche of the sort of cheap, exploitative thrillers
that found their way into certain cinemas before the advent of home video in
the 1980s. Tarantino purposely damaged the film stock causing rips, jumps and
scratches to make it look more like the kind of 1970s film that he was
recreating. The film also makes great use of cars and music from the era to
further recreate the 1970s feel.
Death Proof is
neatly split into two halves with both revolving around a deranged movie
stuntman called Stuntman Mike (Kurt Russell). Mike appears to take joy in
stalking small groups of women, following them in his ‘Death Proof’ stunt car
before crashing into them. We see this take place twice but with very different
results. In the first instance Mike gets to know his potential victims in a bar
in Austin, Texas first whereas in the second half his
appearance is more of a surprise and fuels a revenge filled final few minutes.
I thought Death Proof was ok and with
any Tarantino release there is a lot to like but for me there are vast swathes
of dull, un-Tarantino like dialogue and it sits towards the bottom of his
filmography in terms of how much I liked it and how likely I am to watch it
again.
There is a long section in the second half which I found
really boring and when compared to the opening half and ending was a let down.
I found that I wasn’t really interested in the characters and that the dialogue
was dull and uninspiring. I also put my lack of enjoyment of this section down
to a Kurt Russell deficiency. I enjoyed every moment that he was on screen but
he is notably absent from my least favourite part of the film. The opening
half, especially the part in the bar was much more enjoyable. Even though I’d
already seen Russell’s character following the three girls (Vanessa Ferlito,
Jordan Ladd & Sydney Tamiia Poitier) he became very charming and his
piercing eyes and smooth talking made me think that maybe he wasn’t so bad,
despite my knowledge of the film beforehand and the signs from the opening
scenes. Credit is due to Tarantino’s script and Russell’s performance for
making me doubt his true intentions. Following a gruesome and heart racing
conclusion to that story we find Stuntman Mike in Tennessee where he has his eyes on some more
women (Roseario Dawson, Tracie Thomas, Mary Elizabeth Winstead & Zoe Bell).
Towards the beginning I really enjoyed the faux aging of the
film and all the little scratches and jumps. It worked really well for about
five minutes until I saw a Ford Focus parked outside one of the character’s
windows. It was such an odd thing to see that it took me out of the film and I
began looking for more modern things. The look of the film and the car just
felt really odd and it made me wish that Tarantino had actually set the film in
the 70s. Part way through the film the screen turns black and white for a few
minutes and then changes again to a more recognisably modern feel. Overall I
think all three variations worked well. The early scratchy filming doesn’t
always work but sometimes looks fantastic. There are occasional call backs to
Tarantino’s earlier work which gave me a big smile. Though most famous for its
appearance in Pulp Fiction, Big Kahuna Burger has now been mentioned in
four of Tarantino’s films including this one and one character uses Kill Bill’s theme for their ringtone. I
like that Tarantino is self referential and appears to set all of his films in
the same world in a similar way to Pixar.
Tarantino’s Direction is superb and the stunt scenes in and
around the cars are a particular highlight. Without CGI and tens of cameras he
manages to capture thrilling and scary scenes which look and sound great. I
also really liked the Bar Scene. The soundtrack is typically fantastic. I didn’t
recognise many of the songs but like most of Tarantino’s films I now want to
track them all down. Music isn’t just used to accompany the visuals but feels
like a realistic part of the world that he has created. Some of the acting is
pretty bad but I think and hope that this was a conscious decision given the exploitation
nature of the film. ‘The Girls’ are mostly shoddy but I did enjoy the
performances of Zoe Bell (a debut actress, famous as a stunt woman) and Sydney
Tamiia Poitier (daughter of Sydney).
The standout though is the film’s central character Stuntman Mike as played by
Kurt Russell. I was hugely engaged whenever he was on screen and was transfixed
by his charming but threatening persona. He was fantastic.
Overall I enjoyed large parts of Death Proof but was left a
little bored by long periods of dialogue which failed to match the highs of Pulp Fiction or Inglorious Basterds. The Direction, Cinematography and Soundtrack
were all excellent and the ending was great but I’d put it at the bottom of
Tarantino’s seven pre Django features. Even though it is my least favourite, my
least favourite Tarantino beats a lot of other Director’s work.
6/10
It's weird, but I love watching "Grindhouse" with this included but I did not like the feature length version of this. I agree that even his bad movies have fun things to watch in them
ReplyDeleteI'd like to have seen Grindhouse but it wasn't released here. We just got two separate films. I imagine a trimmed down version would have been better.
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