Fritz Lang’s first sound film and his penultimate German
movie, M is loosely based on a number
of serial killers in 1920s Germany.
The people of Berlin
are in a state of mob like panic as an unknown man is killing little girls in
the city. Everyone is a suspect and the police are getting nowhere despite
thousands of (conflicting) eye witness testimonies. With unwanted attention
falling on the ‘innocent’ criminal fraternity, local crime bosses take it upon
themselves to capture the killer and use the large homeless and beggar
community as their spies, watching little girls in the hope of discovering the
man behind the attacks.
M is often, and
rightly, considered as one of the first masterpieces of the sound era. Not only
is it a terrific, tense and surprisingly violent film but its use of sound is
up there with the best of the period. Realising that sound could be used for
more than mere dialogue Lang employs it as part of the plot and has sound off
screen along with long periods of silence interrupted by loud noises which
together with a deep and complex score and haunting whistle help to make M one of the best of the early talkies.
The film also features Lang’s famed use of light and shadow and a fantastic
central performance from Peter Lorre.
I wasn’t immediately won over by M but it grew on me steadily as I became more enamoured with the
story until the closing scenes during which I barely blinked. The film was
produced in Germany
and shot in the German language but an English version was also produced at the
same time as was often the case during the early sound period. I opted for the
original version but the subtitles are more than good enough. Watching the
German version also helps with the problem of poor sound recording but I have
to say that M is one of the better
films I’ve heard from the period. The plot builds and builds becoming ever
tenser until its climatic scenes of a Kangaroo Court. It is during this final
scene in which Peter Lorre is given his chance to shine and gives the most
amazing monologue. This along with a short chase earlier on is the highlight of
the film.
One of the great things about the plot is that it is the
criminals who become the police and in a way, take care of their own. Sensing
that the blame will eventually land on themselves, the criminal powers in the
city seek out the murderer so that they can get on with their petty thieving
and prostitution. They are often one step ahead of the police due to their
large network of ears to the ground and beggar spies. While watching M it is difficult not to think of its
period setting. It was produced in 1931, just months before the Nazis took
control of the Reichstag and two years before Hitler’s Machtergreifung. With
that in the back of my mind I couldn’t help but pick up comparisons to the
coming regime such as the mob crowds picking on innocent people who they
believed to be the murderer and even the long leather coat worn by the criminal
leader Der Schränker (Gustaf Grundgens). Grundgens incidentally went on to have
a very successful acting career under the Nazi regime after many of his
contemporaries fled West.
The main theme of the film according to Lang is that parents
should watch out for their children. It’s a simple idea but well visualised
here. The closing shot even features a tearful mother almost speaking into
camera with those exact words. Although I doubt there is any anti Nazi
sentiment in the film, it could be interpreted as not ‘keep an eye on your
children’ but rather ‘watch out for the future’. The Nazi’s even interviewed
Lang about the film before production as they were worried that the murderer
was based on them but were seemingly happy that it wasn’t. Even if there is no
political agenda to the film, with history on our side it is easy to pick them
out even if they were never intended.
The film’s violence is mostly implied or hidden but it
smothers the film. It’s like the monster under your bed, you never see it but
you know it’s there. If anything keeping the violence off-screen allows the
audience to make up their mind as to what is happening to the girls and this in
a way makes it more horrific than anything that could be shown at the time. It
is heavily implied that the violence is of a sexual nature and this along with
the swearing makes it unlike anything Hollywood was making at the time or would
do for another forty years. There is a truthfulness to the film which its Hollywood contemporaries lack. Just yesterday I watched
the classic gangster picture The Public Enemy from the same year and M is
much more realistic in its depiction of real working class people and criminals
in addition to implying more violence. Making something like M in conservative America just wouldn’t have been
possible in 1931.
M is one of the
best films I’ve seen from the early sound period and its reputation is
justified. Despite a shaky opening it goes from strength to strength building
to a crescendo which is unmatched in passion and apprehension. Peter Lorre is
terrific and Fritz Lang proves that despite being new to sound he had lost
nothing which had made him one of the most creative and popular Directors of
the silent era.
9/10
Titbits
- The Film was remade in Hollywood in 1951. It was poorly received by audiences and critics.
- The tune the murderer whistles is In the Hall of the Mountain King by Edvard Grieg.
- Peter Lorre was originally a comic actor but the success of M lead him to be type cast as the villain in both Germany and later the United States.
oakley sunglasses, nike air max, prada outlet, air max, nike free, prada handbags, polo ralph lauren outlet, nike air max, longchamp outlet, kate spade outlet, louboutin pas cher, oakley sunglasses, louis vuitton, replica watches, louis vuitton, ugg boots, ralph lauren pas cher, louboutin shoes, ray ban sunglasses, uggs on sale, longchamp pas cher, tory burch outlet, cheap oakley sunglasses, louboutin outlet, longchamp outlet, replica watches, michael kors, ugg boots, ray ban sunglasses, louis vuitton outlet, oakley sunglasses, oakley sunglasses, nike free, nike roshe run, sac longchamp, louis vuitton outlet, louis vuitton, tiffany and co, tiffany jewelry, jordan shoes, louboutin, ray ban sunglasses, nike outlet, gucci outlet, christian louboutin outlet, air jordan pas cher, chanel handbags, polo ralph lauren outlet, longchamp, burberry
ReplyDeletetimberland, ugg boots, ray ban uk, converse pas cher, oakley pas cher, michael kors outlet, michael kors, nike blazer, michael kors outlet, burberry, true religion jeans, lululemon, coach outlet, north face, air force, nike air max, sac guess, hollister, michael kors, lacoste pas cher, michael kors outlet, mulberry, new balance pas cher, ray ban pas cher, abercrombie and fitch, replica handbags, nike free run uk, north face, michael kors outlet, vanessa bruno, coach outlet, burberry outlet online, hermes, michael kors, ralph lauren uk, true religion jeans, kate spade handbags, nike roshe, nike air max, tn pas cher, nike air max, michael kors, ugg boots, true religion jeans, vans pas cher, coach purses, true religion outlet, hogan, michael kors outlet, hollister pas cher
ReplyDeleteEarn free satoshis from Moon Bitcoin. 163 sat. every 1 hour.
ReplyDelete