One of the earliest true gangster films, The Public Enemy charts the rise and
fall of gangsters Tom Powers (James Cagney) and Matt Doyle (Edward Woods)
through the first third of the twentieth century. From street hoodlums tripping
up girls in 1909 to prohibition era bootleggers, Powers and Doyle become top
dogs in a world of crime, money, women and violence before getting their studio
orchestrated comeuppance.
The movie starts with some fantastic streets scenes set in
the first few years of the twentieth century. Anyone who has read my reviews of
Chaplin films or other early cinema will know what a huge fan I am of seeing
these sorts of shots, especially if they’re real. Here they look like sets but
are still great. Early on there is a sort of Oliver-Fagan dynamic featuring
Putty Nose (Murray Kinnell) as a gangster who employs children to do his
thieving. It is soon obvious that he is ripping them off and the two boys
strike out on their own. Although the film was produced in the pre-code era the
violence is very tame by today’s standards and my DVD copy was rated as PG. The
story is the driving force here though and the plot has been repeated numerous
times in both versions of Scarface,
the similarly titled Public Enemies
and countless others.
I watch more films from this period than a lot of people but
a lot of what I watch are the comedies of Chaplin and Keaton. I was pleasantly
surprised then to see such a great deal of camera movement particularly in
early scenes. Chaplin was renowned (wrongly in my opinion) for his use of
static cameras so the tracking shots in an early scene on the streets gave me a
pleasant surprise. The Direction on the whole is excellent and the film makes
great use of movement and, what was for the period, quick cutting to heighten
some of the action scenes. One problem was the sets which although occasionally
looking good were poorly made and little effort was given to make them sound
real. In one scene Cagney slides down a drainpipe onto a lower roof and when he
lands it sounds like he has landed on wood, not stone. I also had a problem, as
I often do with this period, with the sound. Released just four years after the
first talkie, The Public Enemy was
recorded at a time when sound mixing was in its infancy and static microphones
had trouble picking up actor’s voices.
There are further problems with the acting. I’ve read that
on its release the acting was praised but by modern standards it looks fairly
poor bar a couple of performances. There is a lot of overacting which becomes
even more apparent when James Cagney steps into a scene with his trademark
naturalistic style. Compared to some of the others he doesn’t appear to be
trying but as a result comes off looking much better. Many of the cast act as
though they are on stage with voices booming and faces gurning. Another
exception is Leslie Fenton who plays gangster ‘Nails’ Nathan. He has a great
style which combines a sort of European Count with vicious gangster and his
performance is close to matching Cagney’s. Sex Symbol Jean Harlow is another
who performs admirably but despite her natural beauty is here made up to look
like a drag queen and reminded me of Eastenders
Pat Butcher. An example of the ham acting comes in a famous scene known today
as ‘the grapefruit scene.’ In this scene Cagney’s character is stressed and
uptight and his girlfriend has prepared him breakfast. Angry about her
insistence that he doesn’t drink in the morning he picks up the halved
grapefruit and shoves it in her face. The surprise of the attack actually made
me laugh and Mae Clark’s reaction looked forced but I’ve since read that the
incident may not have even been planned and that the reaction of shock was in
fact real.
Although there is little sex and violence by today’s
standards once the Hollywood Code was introduced the film was cut for a 1941
re-release. The grapefruit scene was axed along with a second in which Cagney
is seduced while hiding out and a third in which he is measured for a suit by a
camp tailor. The third shamefully gives insight into Hollywood’s perception and repulsion of
homosexuality during the period. The
Public Enemy is a film which I’d wanted to see for years, ever since my
interest in the modern gangster film and early cinema lead me to discovering
the existence of it, Scarface and Little Caesar. It seemed like the
perfect crossover but I turned off my TV feeling a bit disappointed. Perhaps it
is the lack of sex and violence or the poor acting or the simplistic storyline
but I didn’t think it was as good as I’d been lead to believe. The Public Enemy
is listed as the 8th greatest Gangster film of all time by the AFI
and has a rating of 7.8 on IMDb but I wasn’t enthralled by it and sometimes
felt bored. I think Scarface (1932)
is a better picture.
6/10
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